A Quote by Baron Vaughn
I've always been a big fan of entertainment. Having cable gave me access to HBO, Showtime, and The Movie Channel. Constantly taking in all these films from different eras and different styles has really given me a good vocabulary in how to talk about movies.
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I don't know if you've ever seen some of the Sidney Lumet movies, like Dog Day Afternoon [1975] or Network [1976]. They're real events that happen in real time, and there are all of these different characters experiencing the same thing in different parts of the movie ... I am so bad at explaining my films. But it's in the world of finance and the world of media, and how they connect. It was a big undertaking. A big, mainstream movie, which stars Julia Roberts and George Clooney. But for me, it's really just a small story about character and people.
I've always been a big fan of taking old songs and completely turning them on their head. Having no adherence to the fine tradition of the original version. Rearranging them and taking a different approach to them.
Up until doing this movie, I hadn't really paid a huge amount of attention to those genres, but after finishing this movie, it really gave me a different sense of appreciation of the way the movies play out.
Film is a wonderful thing and it can be so many different things. I don't want to turn my back on any of the different ways movies can be. I love the movies. I love going to the films. I like very serious films, I love foreign films, and I love big, fun movies - as long as they're well made and they've got good scripts. That's the most important thing.
Every action project you take, whether it be a movie or TV series, is always different and a lot of people don't really know how big a difference it is. It's a different style of fighting, a different tempo and all of that.
We had a chance to see a lot of different styles of play and you had to adapt to the different style each team plays. That?s going to help us come tournament time because the game in the Pac-10 is different from the Big East and we know how to adapt to the different styles. I?m glad I had that opportunity.
I spent a lot of time with the Neville Brothers and Dr. John and different people. They play different styles of music, and it allowed me to learn different styles.
How it's been with me, it doesn't really matter what kind of music it is as long as it's good and catchy and I enjoy it. That's why I know all these different styles of music, just because it's fun. Whatever is good, I like it.
It's different for each individual. It's different when you talk about homosexuality. It's different when you talk about a malady like deafness. Everybody might have a different response to that and that's what makes it an interesting subject to throw in a movie.
I've been really fortunate to be able to do different kinds of films in different scales, different genres, different kinds of roles, and that is important to me.
When I was a kid I was a big fan of the Universal Monsters movies of the 1930's and the 1940's. I loved movies like The Wolfman (1941) and Dracula (1931). I really wanted to be in those movies. Eventually I started nagging my parents about it, and it turned from, "I wanna be in a monster movie! I wanna be in a monster movie!" to "I just wanna be in a movie." So I think my parents just thought that if they took me to one audition I'd see how boring it was and I wouldn't wanna do it. But I ended up getting the part, and I got a bunch of roles after that as well.
I love HBO and Showtime, especially Showtime. I'm a huge 'Dexter' fan, and I love 'Weeds.' That would be cool to do a recurring role on a show like that.
I loved going to films, but as far as a movie buff, when I came into the movies at 16, life changed a little bit for me, from an onlooker to a person that lived within the industry. So now I would call myself a different sort of fan.
I think that running a studio gave me an appetite for making a lot of different kinds of movies and it's given me the opportunity to do that.
I really was interested in doing something for a premium channel like Showtime or HBO, just because you get to really let loose. I think they let their storylines go wherever they want, and it's really a special place to work.
What 'Shaun of the Dead' and 'Hot Fuzz' and 'World's End' do is smuggle a different movie under the guise of a zombie movie or a cop or alien invasion movie. Even though they all have action and carnage, they are really films about growing up and taking responsibility.
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