A Quote by Baron Vaughn

[Harold Pinter] is a British playwright and is one of my favorite writers. Harold was very obsessed with when memory becomes mythology, that at some point you change your memory to fit who you believe you are.
Writers can get very angry when an actor says, "I don't know, I don't feel very comfortable with this line." Sometimes though, you're working with a writer for whom that is simply not apt - like Harold Pinter.
There are not many intellectuals left of Harold Pinter's stature who dare raise their voices - and with such force - against the menace of U.S. and the unrestricted use of its power. Pinter's voice is an unceasing thunder.
I actually grew up around the corner from where Harold Pinter did. If you want a snapshot of my childhood, me and Pinter, we essentially grew up together.
I've always liked texts that you immediately understand. I suppose the playwrights who really speak to me are Edward Bond, Joe Orton and Harold Pinter. I've been in six different Pinter productions - I love the clarity of his language. He has this way of using words - there's a thrill to them.
I get called Harold the most. I think maybe 'Harold & Kumar' fans don't know my name, and 'Star Trek' fans do know my name... Harold fans are vocal!
Bill Clinton's favorite memory is Hillary leaning down and putting contact paper in the drawers, in the chest of drawers in Chelsea's dorm room at Stanford. Favorite memory. Favorite memory! Out everything, favorite memory. Now, I would love to hear somebody in the media ask Hillary what contact paper is.
I worked with Harold Pinter once as my first Broadway show. It was one of the most exciting things that ever happened to me.
In writing about Harold and Maureen with their terrible unspoken secret, and all those people that Harold meets as he walks to save a friend's life, I was trying to celebrate the ordinary people.
My biggest fear is losing memory because memory is what we are. Your very soul and your very reason to be alive is tied up in memory.
We grew up on Harold Pinter, Sam Shepard, Samuel Beckett. You're making something about men on the verge of a nervous breakdown, you're going to look to those guys.
I have a good memory. But I would be interested in memory even if I had a bad memory, because I believe that memory is our soul. If we lose our memory completely, we are without a soul.
I'm still willing to continue living with the burden of this memory. Even though this is a painful memory, even though this memory makes my heart ache. Sometimes I almost want to ask God to let me forget this memory. But as long as I try to be strong and not run away, doing my best, there will finally be someday...there will be finally be someday I can overcome this painful memory. I believe I can. I believe I can do it. There is no memory that can be forgotten, there is not that kind of memory. Always in my heart.
My massage was marvellous. I feel really relaxed. And my masseur, Harold :You can't have a masseur called Harold. It's like having a member of the Royal Family called Ena.
The key to doing 'Harold and Kumar' movies is you make it earnest. Primarily what we do is make Harold and Kumar's relationship and friendship believable, and we don't actually work on being that funny.
I'm always the interrogator. When I was an actor in rep, I always played sinister parts. The directors always said, 'If there's a nasty man about, cast Harold Pinter.'
In January 1962, when I was the author of one and a half unperformed plays, I attended a student production of 'The Birthday Party' at the Victoria Rooms in Bristol. Just before it began, I realised that Harold Pinter was sitting in front of me.
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