A Quote by Baron Vaughn

Basically I made her [ Sara Pocock] listen to funk music for a good month, a nonstop stream of George Clinton. I was talking about the art from...if you look at the art from George Clinton albums there are two or three artists he worked with...I made her listen to my album too so all the images are from jokes I made. I wanted it to look like the thoughts that are coming out of my brain which is what comedy is anyway.
All songs, all pieces of art, reflect the world that they were made in and the values of those artists and the hopes and aspirations of the people who listen to that music and who made that music.
Art is nothing tangible. We cannot call a painting 'art' as the words 'artifact' and 'artificial' imply. The thing made is a work of art made by art, but not itself art. The art remains in the artist and is the knowledge by which things are made.
I didn't do anything for Russia. I've done nothing for Russia. Hillary Clinton gave them 20 percent of our uranium. Hillary Clinton did a reset, remember? With the stupid plastic button that made us all look like a bunch of jerks. Here, take a look. Lavrov looked at her like, what the hell is she doing with that cheap plastic button?
The New York Times is reporting that back in the '60s, presidential candidate Howard Dean used a letter from a doctor about a back condition to keep himself out of the draft in Vietnam and then spent 10 months skiing. Well it sounds like he's done the impossible. He actually made Bill Clinton and George Bush look like war heroes.
If [Hillary] Clinton wins, history will also be made: She would be the first female U.S. president, of course, but also the only candidate in the modern era, other than George H.W. Bush, who managed to follow a two-term president of her own party.
Her family had no such ties. She was able to forge her way into that world. And then to those people, the idea of going to Arkansas, if you're gonna stop and think about it, you don't do it. It wouldn't have made any sense. It's like going to Mississippi. Why would you go to Alabama? You wouldn't go. You wouldn't... That would be throwing your life away! [...] For some reason, Hillary Clinton wanted to latch on to this guy [Bill Clinton] - and for some reason, this guy wanted her to latch on to him.
Hillary Clinton has gotten rich, and she's made a lot of speeches, and she's get great book deals and so forth. But they don't love her like they loved Bill [Clinton], and they don't love her like they loved Barack [Obama], and they don't love her like they love Michelle [Obama]. The love they have for her is related to the fact that right next to her name is a big capital D on the ballot.
Peter Hart, who's a pollster that's - who's done many focus groups about Hillary Clinton, talks about a glass curtain. She talks about the glass ceiling. He says voters feel there's a glass curtain between themselves and Hillary Clinton. They can't relate to her. They feel they don't really understand her, and that's made it easier for her opponents, of which there have been many over many years, to define her the way they want to.
I do think - you look at actually what WikiLeaks came out with, most of it was just gossipy interest, except for like this Doug Band memo from a Clinton crony in black and white who explained the Clinton Foundation was a profit center for Bill Clinton and people around him.The Russians didn't make that up, that was all Hillary's [Clinton] vulnerability her own.
Can you think of a single area of government in which George Bush hasn't already made things worse than Bill Clinton did?
It is a pity to make a mystery out of what should most easily be understood. There is nothing occult about the thought that all things maybe made well or made ill. A work of art is a well-made thing - that is all. It may be a well-made statue of a well-made chair or a well-made book. Art is not a special sauce applied to ordinary cooking; it is the cooking itself that is good. Most simply and generally, Art may be thought of as "The Well Doing of What Needs Doing."
When I formed the band and created the Wildabouts with my friends, we decided we wanted to make a band-sounding album, a rock-sounding album. I made two solo albums before that were more experimental albums, and I think that they didn't really resonate with my fan base because they were too out-there, too artsy.
I make up cassettes all the time - to take on the road with me - a song from this album, a song from that album. That's the way I listen to music; it's like one of those K Tel things: it's from all over. I listen to Fred Astaire, I listen to African folk music, I listen to Talking Heads.
Her [Eleanor Roosevelt] father was the love of her life. Her father always made her feel wanted, made her feel loved, where her mother made her feel, you know, unloved, judged harshly, never up to par. And she was her father's favorite, and her mother's unfavorite. So her father was the man that she went to for comfort in her imaginings.
I listen to everything from The Cure and The Clash to Prince and George Clinton.
I grew up in an artists' community in New York, in a building that was government-subsidised for artists. No one made any money, but they made art for the sake of art.
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