I think Batman Returns is right for riffs. I love it but it's the ultimate Tim Burton movie. There is so much that happens that's crazy and there are a ton of things to riff.
It was Tim Burton's 'Batman' in, what, '89, I think? What we could see was there was someone behind the curtain controlling all of this, and you could see it from one Tim Burton film to the next, that the guy who made 'Edward Scissorhands' also made 'Batman.' You could connect the dots because his style was so distinct.
The first movie I fell in love with was Tim Burton's 'Batman,' which isn't Chicago, obviously, it's Gotham.
When I was younger, I used to love Tim Burton's 'Batman.' I was, like, 15, and even then, I was aware, 'This is really the Joker's film.' It's like, the Joker just takes over, and Batman, you really don't learn too much about him.
My worst audition was for Tim Burton for 'Batman.'
Looking back at Batman from a distance - after all the hype has dried up and the franchise has at least temporarily been abandoned - it's easy to see the movie for what it is: a moderately diverting motion picture that should have been shorter and better paced. There are a lot of things wrong with Batman, but it still makes for decent entertainment in the fine tradition of the typical low-intelligence summer movie. The best thing that can be said about Batman is that it led to Batman Returns, which was a far superior effort.
Of all the things I've done, the first 'Strongman' story was one of the easiest things to write. It was almost fully formed from the get-go. It's almost a 'Dark Knight Returns' riff, except you have a battle-worn Mexican wrestler instead of Batman.
Tim Burton is underrated. I loved Big Fish, loved that movie, think it's the best movie of the year, hands down. Really impressed with that.
I kind of stumbled into comics in a roundabout way. One of the first films my father introduced me to was the 1989 'Batman,' the Tim Burton one.
I want to do some different kind of songs, but say I want to do riffs, but I don't come up with any riffs that I really think are great. Then I can't do a riff album. I'm more of a song, melody person.
Michelle Pfeiffer in Tim Burton's 'Batman' was one of the most inspiring - I saw that and I was like, 'I want to be her, I want to do that.'
I want to be in a Tim Burton movie so bad.
What I really learned from Tim Burton is that it's important to have your own person in a role because you can't play a character unless there are elements of human behaviour that you yourself understand. I was really struck by how Tim Burton would like to sit and chat about you... or question things which then you had never thought about. It is a good thing to always step back a bit with things like that. But I try my damned hardest to learn something from everything I do.
I love Nicoletta Ceccoli , and I love Tim Burton movies. So those are like my biggest inspirations I think.
If you have a good riff with a vocal as well, then it becomes a devastating song. That's why people love riff-rock: it's the ultimate air guitar music.
I love Michael Keaton. I think he's awesome - he's such an awesome actor - like the 'Beetlejuice' films. I just love that Tim Burton stuff.
Because the world of this film begins and ends in the imagination of Tim Burton, you're not seeing a movie that's been shot on locations that you've seen a million times. Because this world has no rules, you're seeing so many different and separate brushstrokes and colors and characterizations somehow getting combined through Tim.