A Quote by Baron Vaughn

I'm working with a lot of legends who are brilliant who are people I've looked up to from a very young age. — © Baron Vaughn
I'm working with a lot of legends who are brilliant who are people I've looked up to from a very young age.
No matter what age we are, regress to a certain youthfulness with people we've known our whole lives, especially our parents. And since I've written the brothers as young people a lot - most notably Archer & Armstrong #0 and the upcoming Book of Death: Legends of the Geomancer #4 , it comes very naturally to me.
Some people will know exactly what they want to do at a very young age, but the odds are low. I feel like people in their early- to mid-20s are very earnest. They’re very serious, and they want to feel like they’ve accomplished a lot at a very young age rather than just trying to figure stuff out. So I try to push them toward a more experimental attitude.
When I was young, I was working with people my own age, so it was kind of a lot of goofing around.
A lot of people who start work at a very young age never grow up because they never got that opportunity to be a child, so they hold on to that and still do a lot of childish, silly things.
You know, legends are people like Haggard and Jones and Wills and Sinatra. Those people are legends. I'm just a young buck out here trying to keep in that same circle with the rest of 'em.
It is up to us, to everyone at Celtic Park, to build up our own legends. We don't want to live with history, to be compared with legends from the past. We must make new legends.
I grew up going to a school where there weren't a lot of black kids. And so my mother, from a very, very young age, has sensitized me to race.
I get a lot from all young people. I make movies for young people. If I made pictures for people my age, no one would see them. I hang with young people all the time.
I am happiest when I am working though, when I am being creative. I realized at a very young age what I loved doing. I think it is so important for people to pursue the things that they love and not give up on their dreams.
That's just like America. It's made up of lots of different people. We're all different colors, different ages, we do different jobs -- but it takes all of us black people, white people, brown people, men and women, young and old, working in the factories, working in the fields, working in offices, working in stores -- it takes a lot of different kinds of people to get the job done for America.
I have been working a lot, and I like it. And you know, it's hard for me not to. I guess I've been working a lot because I get to play with brilliant people.
My mother was a mother. She didn't really work, apart from bringing us up, which a job in itself, but at an age where lots of people are thinking of retiring, so is having up to 20 or 30 engagements a day, and she's brilliant at it - she has always been brilliant with people.
The idea of being a 'child star' always sounded awful to people my age, and so I was just very aware that these things are kind of fleeting and that a lot of it didn't have to do with me: it had to do with my age; it had to do with whatever came to mind when people thought of a young internet sensation.
I remember when I was young, before we started lifting and working out, I looked like I was bench-pressing other humans. I looked different than other girls. I had to be OK with the fact that I had a strong physique, no matter if people looked at me in an accepting way or not.
I was in my peak physical condition when I was about like, uh... one. Oh God, I looked good, young and fresh! You wouldn't know me now if you'd seen me when I was one, you know? I even looked good for my age. People would come up to me and go, what are you, zero? And I'd go, no, I'm one over here!
In order to dance professionally, you have to start at a young age. No matter what, your muscle structure and your bones have to be groomed from a very young age. Nobody wakes up at 17 and decides to become a ballet dancer.
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