A Quote by Baron Vaughn
You're the hero of your own story. I had let go of my own story from my own childhood and whatever anger I had and I began to see it from a very different place. It's really easy to be like "This thing happened to me! Look what they did to me or are doing to me." These are such powerful ideas and it's so easy to hold onto them forever. When I let go of those ideas it was easier to see my childhood from different points of view.
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You're the hero of your own story. So it's interesting for historical revisionism to happen. I had let go of my own story from my own childhood and whatever anger I had and I began to see it from a very different place. It's really easy to be like "This thing happened to me! Look what they did to me or are doing to me." These are such powerful ideas and it's so easy to hold onto them forever.
I look at a pilot and go, "I see the landscape. I see the characters. I see the direction and the potential of the story." And I also go, "That didn't work. I could change that. Maybe that works. I don't know. We'll see." For me, I look at it, as an actor, as what can I improve upon? So, to have it out there and judged solely on its own merit is really a unique experience for me.
The ideas always have to be in service of the story. And that's what Scott and the writers did - they weren't trying to beat you over the head with an idea; they had a story they wanted to tell, and they had ideas, so they used the story as a way of fleshing out the ideas. It all depends on where they want to go with it.
I had no intention of replacing Arnold [Schwarzenegger]. There were a few things that made me want to do the movie. They were the script which had a different direction to it, and it was a chance to do a very different Quaid. I didn't read the short story until I went to college.Reading the story had a different effect on me of how I pictured him to be and the tone of the story was different. In the story, he's a bit more of an everyman.
My childhood was very difficult. I had every childhood disease and then some, but my parents didn't mollycoddle me. They left me to fight those battles on my own. I guess that was very Canadian, very stoic. But it's good. I had to become a warrior. I had to give up hope and find a substitute for hope that would be far more stable.
My childhood was very difficult. I had every childhood disease and then some, but my parents didnt mollycoddle me. They left me to fight those battles on my own. I guess that was very Canadian, very stoic. But its good. I had to become a warrior. I had to give up hope and find a substitute for hope that would be far more stable.
I always say, "First complete your education, be what you want to be in life, get a position, start earning. Then, when you are financially stable, everything will be stable in your life." I have become like a role model, and people feel that I must have had a really cool life, my parents accepting me, like a Cinderella story. It's not like a Cinderella story for me. I had to be my own fairy godmother and create myself. I took decisions and I lived with those decisions, and I did everything for my own dignity.
For my own children, I do want for them to look back and remember that it was me in the kitchen, that I was doing the packed lunches, that we were there on the school run, that we did take a bus. I want them to remember those things, because those are the things that I remember from my own childhood and that have been incredibly important to me.
In Italy, you're in your comfort zone when it comes to language, lifestyle, your habits and preparations, and moving abroad is not easy. It's not easy to carry over your own ideas about football, your own methods. You have to get everything across in a different language, and that wastes a lot of energy.
We never really see the global situation as a total situation. Today's political leaders are still lacking of the vision. They very often just try to cope with their own election, their own popularity, solving the problem or selling the ideas to meet their own voters. By doing that, it creates a great imbalance in terms of making deals or treaty or all those things. Even today the borders they're seeing the physical borders are very different from the political borders. Because all those powers are so connected, and you cannot even see whose interest in what move.
It makes it easier, if you can't do an American accent. I don't know. It's different. I played a character in Never Let Me Go where the script for my character was very sparse, and I enjoyed it. With Never Let Me Go, I had a whole book written from my character's point of view, so I always knew where I was. But, with Ryan [Gosling], it was just easy. He's such a brilliant actor and he is so prepared. He doesn't have to warm himself up to be in a scene. He's just in it. It draws you in, in a way.
I think it's really easy to be the altruistic hero of your own narrative and story.
The role you've been ascribed in childhood can twist or break apart or seem outgrown, especially when you have your own family and begin to see your own childhood from a different angle. You remember. You reassess. I think that was the kernel of the novel for me. This idea that you change but that your family, the people you were born into, might find that change hard to accept. You no longer fit the mold you've always been ascribed. When the adult children in the book converge back on their small family home there's a sense that they don't fit there anymore.
I enjoyed working with Vikram Kumar, as he is an amazing director who is full of ideas, and he tells me that he has different compartments in his brain in which he places different story ideas and works on them simultaneously.
At the end of the day, I have a lot of ideas. I cannot give them to clubs I play for because they have their own ideas - their own sporting directors, their own general managers - of what they want to do. When you have your own ideas, the only way you can execute them is to get a club yourself.
And that was it; it was so easy for her. My own memories did not even belong to me. But I knew she was wrong. I had seen that comet. I knew it as well as I knew my own face, my own hands. My own heart.
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