A Quote by Baroness Orczy
...but in every century, and ever since England has been what it is, an Englishman has always felt somewhat ashamed of his own emotion and of his own sympathy.
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England is perhaps the only great country whose intellectuals are ashamed of their own nationality. In left-wing circles it is always felt that there is something slightly disgraceful in being an Englishman and that it is a duty to snigger at every English institution, from horse racing to suet puddings. It is a strange fact, but it is unquestionably true that almost any English intellectual would feel more ashamed of standing to attention during God save the King than of stealing from a poor box.
Everyone his own cinematographer. His own stream-of-consciousness e-mail poet. His own nightclub DJ. His own political columnist. His own biographer of his top-10 friends!
Men and women make their own beauty or their own ugliness. Sir Edward Bulwer Lytton speaks in one of his novels of a man "who was uglier than he had any business to be;" and, if we could but read it, every human being carries his life in his face, and is good-looking or the reverse as that life has been good or evil. On our features the fine chisels of thought and emotion are eternally at work.
There is nothing perhaps so generally consoling to a man as a well-established grievance; a feeling of having been injured, on which his mind can brood from hour to hour, allowing him to plead his own cause in his own court, within his own heart, and always to plead it successfully.
Every man is his own ancestor, and every man his own heir. He devises his own fortune, and he inherits his own past.
Every man is his own ancestor, and every man is his own heir. He devises his own future, and he inherits his own past.
It's not enough merely to exist. Every man has to seek in his own way to make his own self more noble and to relize his own true worth.
Every man needs to find a peak, a mountain top or a remote island of his own choosing that he reaches under his own power alone in his own good time.
The man has a curious inborn conviction of his own superiority which is quite unshakeable. All his life he has bullied and browbeaten those around him by his high-and-mightiness and his atrocious temper. As a boy he terrorized his entire family by his tantrums, when, if thwarted, he would throw himself on the floor and yell till he went blue in the face. It has been much the same ever since. Everyone's terrified of his rages. He has only to start grinding his teeth, and people fall flat before him.
Since he took power over half a century ago, Fidel Castro proved to be a brutal dictator who must always be remembered by his gross abuses of human rights, systemic exploitation of Cubans, unrelenting repression, and stifling censorship upon his own people.
Ever since I was a child, I always had insecurity or suspicions about my own personal identity. That's why I started going to a lot of movie theaters, because I felt more comfortable there than at school. Now, the search for a personal identity is becoming a common topic for young Japanese people, and it's a big theme in their own lives. But it's been a theme in my life, as well, ever since I was young.
There were times when it appeared to Dorian Gray that the whole of history was merely the record of his own life, not as he had lived it in act and circumstand, but as his imagination had created it for him, as it had been in his brain and in his passions. He felt that he had known them all, those strange terrible figures that had passed across the stage of the world and made sin so marvellous, and evil so full of subtlety. It seemed to him that in some mysterious way their lives had been his own.
In every country and in every age, the priest has been hostile to liberty. He is always in alliance with the despot, abetting his abuses in return for protection to his own.
I've always been somewhat uncomfortable on the stage, and I've always felt like physically having to negotiate my own presence as a part of presenting work has always been a source of angst for me.
Every artist dips his brush in his own soul, and paints his own nature into his pictures.
There will be no one like us when we are gone, but then there is no one like anyone else, ever. When people die, they cannot be replaced. They leave holes that cannot be filled, for it is the fate - the genetic and neural fate - of every human being to be a unique individual, to find his own path, to live his own life, to die his own death.
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