I started performing with the Boston Children's Opera when I was 5, and I stayed working with that group until I was about 12 or 13, so that was a huge part of my life. It was, weirdly, an extremely professional environment geared towards kids.
I've never trained anyone that I haven't known as a child. I knew Kirkland when he was 12. Every one of them I started training when they were kids. This is not about just the fight game for me. It is a sport for troubled children that are drawn to violence and that type of life. Boxing has that violence part in it, but it also has structure and dedication and the whole nine yards. You get that little bit of violence that you were drawn towards, but it can save a lot of kids.
I was a good but not super serious student until about 10th grade, until I was about 14 or 15. Then I started to realise how competitive the world is. I started to meet kids who were more high-performing.
I was interested in opera and it seemed to me that the only possible theatre for contemporary opera would be television. So I started working towards a kind of television kind of opera.
I wanted to be Whitney Houston at first, and when I started taking voice lessons, my voice teacher kind of geared me more towards opera.
I started performing opera when I was 10 years old. I didn't perform as Zola Jesus until I was probably 18.
I knew being a musician was my calling when I was 12 or 13. I started singing when I was six but didn't actually see myself being a singer when I was 12 or 13.
I started playing with a group of young people when I was 13. I turned professional when I was 15 and I played dance halls, this on bass guitar.
I think when you've got a passion for something, it comes out of you, and people can feel it. Then your mind is so geared towards that and how you can improve on it, and you're so excited about performing that it comes together.
It's always a really great feeling when I talk to people who watched 'Jett Jackson' because we were the same age. We were all kids. I was 13 when I started working on that show, and that was part of my childhood.
When it comes to the video channels and the programs, the radio stations, the music is geared towards kids, and it's made by kids.
Rock and roll came into my life when I was about 12, 13, when Little Richard and Chuck Berry had just started hitting the shores of England.
I came to know God when I was 12, started working in the ministry when I was 13, working in the slum area, living among the poor, loving it, and having this belief that to love the poor I needed to be poor.
My dad got me a huge board when I was little. He loves to surf. He suited me up and sent me out on this huge wave. I went under, and when I came out and the board hit me in the face. So I said, I never wanted to do this again. I stayed away until I was 13.
I started rapping when I was about 12 or 13, just playing around with it.
This is what happens when you are on the wrong side of 40. Young adults, who could be your children, are now working with you. I was playing their parents or mentor. I started to think: Oh, I am not part of that group any more.
Grub Street Writers is the reason I've stayed in Boston. I started teaching for Grub back in 1997, when founder Eve Bridburg, a Boston University M.A. alumna, as I am, kindly gave me my first job out of grad school.