A Quote by Barrett Wilbert Weed

I remember, when I saw the movie of 'Cabaret,' I was amazed by Liza Minnelli: like, 'Wow, that kind of looks like someone I could be similar to.' — © Barrett Wilbert Weed
I remember, when I saw the movie of 'Cabaret,' I was amazed by Liza Minnelli: like, 'Wow, that kind of looks like someone I could be similar to.'
Over-the-knee socks remind me of the 1920s, silent films, and the stars of the era who wore the rolled-down stockings. They sort of referenced that in 'Cabaret,' when Liza Minnelli was singing 'Mein Herr,' and I love the way she looks in that scene.
Arguably, the relationship between Liza Minnelli and Judy Garland is one of the great mother-daughter sagas of all time. Certainly, for certain people, and a lot of them, Liza is the bigger star. Liza is the more kind of viable legend, shall we say. Then there's the other camp, where Judy is the one.
I got arrested once on stage in Memphis for looking too much like Liza Minnelli.
My dad was in the movie 'Moonwalker,' and I knew he could sing really well, but I didn't know he could act. I saw that, and I said, 'Wow, I want to be just like him.'
I remember when I first came around, the computer-generated stuff was pretty wicked. I was like, 'Wow!' but I feel like then for the longest time, we saw so much of it, after a while, you might as well just be watching an animated movie.
I love performing. I love the people. I sound like Liza Minnelli right now, don't I?
Talent? That's not talent. Talent is Liza Minnelli tap dancing and singing at the same time. What I just saw was devastation. Dying man on the cross. Salvation in B minor.
I honestly think that it was when the actual voices started to stand up for me. It was the iconic artists like Tony Bennett or Barbara Streisand or Liza Minnelli. When people like that take you under their wing and say in quotations, "He's the next one. He's got my stamp of approval," people trust them.
With each project, I'm going for something that makes viewers think, 'Wow, I've never seen a film like this before,' and later think, 'Wow, I've only seen a film like this once before. I saw it in theaters and am watching it now on Netflix or a similar streaming service.'
It wasn't Liza Minnelli. It was the woman I loved.
The only street I like is Rue Honore de Balzac, because 'Balzac' sound so gay, and I love my gays. I might like Parisians more if they named their streets only for gay icons, like Rue Liza Minnelli or Rue Bette Midler or, my favorite, Rue McClanahan.
Sometimes people are like, 'Hey, you played Dean Thomas!' and I'm like, 'Wow, you actually know!' It kind of shocks me because when I think about movies I love, and if I saw someone who essentially did what I did in Harry Potter, I probably wouldn't recognize them walking down the street.
Republicans are always saying we should privatize things like schools, prisons, social security - hey, how about we privatize privacy! Because if the government forbids gay men from tying the knot, what is their alternative? They can`t all marry Liza Minnelli.
What strikes me is that 'XIII' looks like a movie. The shot making is movie-like, which is kind of fun - the kind of playful action movie shot making is pretty, is pretty good. What's also great about this game is its style and interesting story-line.
There is no conceivable amount of money worth telling the world that you were beaten up by Liza Minnelli.
I remember the Time review [on the Hit and Run]said that there wasn't one laugh in it. And I had watched the movie 50 times with audiences, and it always played great. There was certainly a moment where you could tell the audience was like, "Wow, this is really getting weird."
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