A Quote by Barrett Wilbert Weed
One of the things I love about stage makeup is I get to play up my eyes even more than usual.
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The character I play is a wonderful compilation of things I hate about myself and things I love about myself and things that I've invented to make her even more interesting than me.
It really comes down to Mick. He's the one who was constantly trying to get these five people in one room together. This is his love, his baby. It's his band, and there's nothing more he loves to do than get up on stage and play with us.
Early on I was a lot more unsure of myself on stage. When our band The Decemberists was getting bigger audiences I was more concerned about alienating them, so I wasn't as willing to take risks and do weird stuff on stage. But once you get more accustomed to it you tend to have more fun with it and not worry about being pilloried for acting out. Whenever you play in front of 400 or 500 more people than you're used to it's always a weird, transitional period.
I play guitar, the ukulele and the piano. I grew up on a mountain in Tennessee, and we had 'The Mountain Opry,' where anyone could just get up on stage to perform. It was just about the soul and heart of music. My upbringing was less about being great and more about just doing what you love. It was always for joy.
I play guitar, the ukulele and the piano. I grew up on a mountain in Tennessee and we had The Mountain Opry, where anyone could just get up on stage to perform. It was just about the soul and heart of music. My upbringing was less about being great and more about just doing what you love. It was always for joy.
I've always felt kind of safe on stage, protected. I've talked to other performers about this and they feel the same things, particularly in the live arena. I never get nervous going on stage to do a play. Doing film or television I'll have more butterflies.
During the Blitz, a lot of shops had their windows blown in and put up notices saying, 'More open than usual'. I now declare this place more open than usual.
So what I do, more than play any instrument - I mean, I love to play - but more than that, I write songs. Songs that are about living, about what it's like to be going through all the things that people go through in life.
But how can the characters in a play guess the plot? We are not the playwright, we are not the producer, we are not even the audience. We are on the stage. To play well the scenes in which we are "on" concerns us much more than to guess about the scenes that follow it.
On stage, you can get away with more, so I definitely use that to my advantage and go bolder with fashion, hair, and makeup. I love a smoky eye and long lashes.
When I stage a violent scene, I try for it to serve a purpose. I do love those things, the makeup effects. But I love them more with the monsters. I never was much of a gore guy. I've always enjoyed just creating monsters.
You have to play more hands than usual to be successful in tournament poker. While a conservative approach can help you squeak into the money, the only way to win is to mix it up and get involved with a wider range of starting hands.
I'm not such a huge hater of anti-aging things because when I put makeup on, I look younger. You can brighten up your eyes and look more glamorous and more confident.
On stage, I'm this figure, this actor, who does things that people aren't used to seeing and I relish in that reaction. In real life, though, I play golf, I shop and I walk around with no makeup on and my hair in a ponytail. I may not be the typical middle-aged Joe, but I'm closer to normal than you think.
One of the things I really love about 3D is that because as we grow older on eye weakens more than the other, 3D becomes more difficult for adults to watch than it is for children who have very balanced eyes often.
As a singer-songwriter who gets up on stage and sings about those things that make me vulnerable is an amazing experience. You get up on stage and effectively take your clothes off in front of thousands of people.
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