A Quote by Barry Blitt

The magazine business is dying. It's a hard time for publishing. It does seem that everyone is much more opinionated now. I think there's probably more room for making opinionated illustrations. There was a time when Time magazine and Newsweek would have a realistic painted cover. A friend of mine used to do a lot of those paintings and he was told by the art director at one point, we are switching to photography. It seems that if someone saw a painting on a cover, it took a while to do, it must be old news. Photography became more immediate.
I have made mention of something I've found incredible a lot of times. I'm gonna remind you of it again. A TIME magazine cover back in the mid-1990s. The cover story on that issue of TIME magazine had the following headline Shock: Men and Women are Actually Born Different." When I saw that the first time, I was astounded. I cite it often, because I need to ask you a question: What must you think, what must you believe if you come across research that tells you men and women are born different?
I think one of the things that started to hinder Baldwin as an artist later on was that he became really aware of power, so he wanted it, too. But if you look at the work before that, before 'The Fire Next Time' put him on the cover of 'Time Magazine,' it was much more intimate and a much more internal conversation.
In fact, I probably learned more about photography from studying black-and-white photography in those magazines [Look Magazine and LIFE Magazine] than I did from watching movies here. That's the truth.
By the time something reaches the cover of Time magazine, it's old news anyway.
To speak technically photography is the art of writing with light. But if I want to think about it more philosophically, I can say that photography is the art of writing with time. When you capture an image you capture not only a piece of space, you also capture a piece of time. So you have this piece of specific time in your square or rectangle. In that sense I find that photography has more to do with time than with light.
When I first came to America there still was Look Magazine and LIFE Magazine, and the photography in those magazines was amazing to look at. They had the best portraits, and their news photography.
What's happened is that the digital age has made photography more accessible to people. Everyone is a photographer. But to do it [photography] at a certain level, well, there's a skill to it. Still, it's a good time for photography now.
Time magazine put Chris Christie on the cover with the caption, 'The Elephant in the Room.' And People magazine named him 'Sexiest Garbage Truck in a Suit.'
I have been on the cover of Time magazine. My father was on the cover of Time, and my grandfather was on the cover of Time.
[Photography] can be tiny, on your phone, or it can be a billboard, or a film-sized projection, or printed in a magazine. I don't think we've been in a time before when so much photography is available in so many formats, when everybody is a photographer.
The weirdest thing to me is that magazines would never do this for their writers. They would never hire a writer who writes for another magazine; they want to have their own stable of writers. Newsweek would never hire a TIME writer, and TIME would never hire a Newsweek writer - but they would both hire the same photographer to shoot a cover for them.
In order for a person of color to get on a cover of a magazine, they have to do something prolific - winning an Oscar, being the first billionaire, you know, or whatever. I think it's becoming more natural that somebody can get on the cover of a magazine just because they're an amazing person. That's what it should be.
Even when he was just a reality-TV star, Trump was the kind of star who got a cover story in 'Time.' But that wasn't true. The 'Time' cover is a fake. There was no 1 March 2009 issue of 'Time' magazine. And there was no issue at all in 2009 that had Trump on the cover.
I see myself on the cover of a magazine and I don't think that it looks like me at all. My first-ever photo shoot was for the cover of a lads' magazine.
The quest for love became all consuming to the point where I would give up shooting the cover of 'Glamour' magazine to go be with someone I was crazy about. I look back on that now and I would never let my own child do that, but I don't regret it.
I believe that street photography is central to the issue of photography—that it is purely photographic, whereas the other genres, such as landscape and portrait photography, are a little more applied, more mixed in the with the history of painting and other art forms.
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