A Quote by Barry Bonds
When I was playing, it would be whatever role I wanted. Now it's whatever they ask me to do, which I kind of like better.
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This is the deepest experiment of life. And whatever has been discovered in regard to life, this is the most significant finding of all: don't ask for happiness if you want to be happy, don't ask for peace if you want to be peaceful. Whatever you ask for will be lost. Whatever you do not ask for you will get. You have asked many times and seen that you do not receive it. Now try not asking and see. There is no need to believe me; there is a need to experiment.
I'm happy to be back out on the court. Whatever role that I'll be in and whatever minutes that I get, I'm just grateful to be playing a game I love again.
The only role other than paying their taxes, whatever those are, the only role for philanthropy broadly - of which the rich should give disproportionately - the more, the better - and I think there is a positive trend in that direction - there are certain risk-taking things, like trying out a new type of charter school or funding a new kind of medicine.
When I started playing basketball, they always would have me at the block, and I'm like, 'Yo, I don't want to play down here. I want to do something else.' This is not entertaining to me, and whatever the guards do, I wanted to do.
I always want to be the best at what I do. As a kid, whatever I was doing, if I was playing football or whatever I was applying my energy to at the time, I always wanted to do it to the best of my abilities. And I was always interested in finding out how I could do it better.
If you're playing a character who says whatever he wants, I felt free to say whatever I wanted on set.
I would tell kids not be like me, but to try and be better than me. Because I always wanted to be better than everyone I was around. That's what drove me. I wanted to be better than my role models. I'm super competitive.
I always thought it would be really cool to be playing the drums in the show and then have your astral body or whatever travel all through the audience and dig whatever it's like out there.
When I started wearing a yarmulke, I wanted to stand out or take the form of whatever was inspiring me. But now I think there's something to not working it, to keeping it on the inside, and it just being kind of like a secret.
The president is now having to deal with a Congress. He's never had to do that before. The president in the past, he has just done whatever he wanted. He had a big rubberstamp here up on Capitol Hill, whatever he wanted, they stamped OK. That's not the way it is now.
I am flattered that they think that many people would enjoy my work. I don't approach any genre a different way than I may approach another one. I treat every role I do like a role worthy of applying whatever kind of tactic, process and talent I have.
The family I'm from, well, no one had their name on big buildings. My family were builders of a different kind. Builders in the way most American families are. They used whatever tools they had - whatever God gave them - and whatever life in America provided - and built better lives and better futures for their kids.
Whatever character you play, whatever film it is, whatever story it is, for me, in my training it's always something that gives you a layered character, it's understanding the secret of that character, and so whatever comes up as "Oh, I thought that person was that," you are always carrying that within you. So actually what you're playing all the way through is both and it's just what comes out in the scene or the circumstance.
You can play yourself and make a very good career out of it. Do the same type of role, the daring, good-looking, dashing kind of guy. I mean, there's a role for that guy in television, films, whatever. But people who are able to shape-shift and go from drama to comedy to whatever, there's an art to it. Especially in Hollywood.
It was also a new role for me as a writer, because I wanted to just be there to serve Sam. I recognized that this picture would be "a Sam Fuller movie," and I was just trying, in whatever way I could, to help him get what he wanted.
People ask me if I ever get sick of playing 'Daydream Believer' or whatever. But I don't look at it that way. Do they ask if Tony Bennett is tired of 'I Left My Heart in San Francisco?'
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