A Quote by Barry Davies
And Watford acknowledge the support of the crowd, indeed of the crowd that supported them
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I'm an outdoorsman kind of person, so I don't like the buzz of the crowd, crowd, crowd and all that so much. I mean I don't mind it, but I don't seek it out.
You don't know what a rough crowd is. If all I have to do is go make people laugh, that's nothing. Let me tell you what a tough crowd is. A tough crowd is going to a morning service and you got six people there and you gotta pat your house payment. That's a tough crowd.
You don't know what a rough crowd is. If all I have to do is go make people laugh, that's nothing. Let me tell you what a tough crowd is. A tough crowd is going to a morning service and you got six people there and you gotta pay your house payment. That's a tough crowd.
I've come to the conclusion that athletes, when they say they miss the crowd, are not missing the sound of the crowd. What they're missing is the feeling inside that makes the crowd roar. It's not the roar of the crowd, it's the silence inside.
The crowd is a performer. En masse, a crowd has its own personality, its own character. And there are going to be nights when the crowd delivers a great performance. And there are going to be nights when the crowd bombs.
As a preacher, I'm working with the crowd, watching the crowd, trying to bring them to that high point at a certain time in the evening. I let everything build up to that moment when they're all in ecstasy. The crowd builds up and you have to watch it that you don't stop it. You start off saying you've heard that tonight's going to be a great night; then you begin the whole pitch and keep it rolling.
Whether I am performing for an elite crowd or a crowd of 20,000 people - the moment someone asks for 'Agneepath,' and I respond 'Agneepath' chahiye?' the noise in the crowd, shows that this song has become huge.
Defy the crowd. The crowd isn’t always wise. It can also lead you down a path of silliness, sub-optimal choices, and downright destruction. Enchantment is as necessary for people to diverge from a crowd as it is to get people to join one.
The Indian danced on alone. The crowd clapped up the beat. The Indian danced with a chair. The crowd went crazy. The band faded. The crowd cheered. The Indian held up his hands for silence as if to make a speech. Looking at the band and then the crowd, the Indian said, "Well, what're you waiting for? Let's DANCE.
Even in a given territory what would work in one city in front of one crowd might not work in front of another crowd. Every crowd is different in what they are looking for and what they'll respond to.
It's always great to see grey hairs in a crowd; people who are older have been to a lot more gigs than the kids; they've seen everything, so seeing them in the crowd means we've earned their applause.
When you are playing in front of your own crowd, you want them to support you.
The crowd is the crowd. You're gonna take them as an individual performer how you take them. The key is how do you learn from them. How do you use whatever is happening reaction-wise to get better.
A crowd is the only way to know if something works. Telling a friend or two doesn't matter. A crowd is what tells you what works or doesn't, so I'd rather go in front of them cold and see.
You have to give the crowd energy to feed off of and they will give it back. If you go on stage acting sluggish and nonchalant, that's how the crowd will be. But if you let them know you appreciate them and do call and response, you'll get a good reception.
When I look at my audience, I can tell better who's in the crowd and the kind of joke I shouldn't do. It's just complicated. I guess I sift through to make sure these jokes are a little different with not such a harsh edge to them. That's pretty much how I handle the crowd.
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