A Quote by Barry Eisler

After I sold my screenplay adaptation of 'Rain Fall' to Sony Pictures, I had no more creative involvement. — © Barry Eisler
After I sold my screenplay adaptation of 'Rain Fall' to Sony Pictures, I had no more creative involvement.
A screenplay adaptation of my 'Punktown' novel 'Health Agent' has been making the rounds. The screenplay was written by my friend, singer/songwriter Walter Egan of 'Magnet & Steel' fame!
Shane Salerno and I adapted my book Savages together, and I learned a lot about adaptation. I think it's an extremely difficult thing to do; adaptation might even be more difficult than writing an original screenplay. It's so much a matter of choices, making choices of what to leave in. It was an education.
To me, the ultimate crime in an adaptation is the crime of reverence. A novel is one form of media, a screenplay is another, and a movie is yet another. There's even reverence to a screenplay.
The things I have sold to film, I've sold because I was happy to rent out the right to adapt those works. Some things, I haven't sold to film, because I was less interested in having no control over the adaptation.
I sold my first screenplay six months before 'Glee,' but they had the option for a year and now it's back with me.
One of my favorite things was I got to work with Avi Arad on a movie for Sony, and we don't realize this, but he's the reason toys were sold off of cartoons, more or less. He created the Gobots!
In the spring rain, the pond and the river become one. Into every life some rain must fall. Usually when your car windows are down. It raineth on the Just and the Unjust Alike, But the Unjust stealeth the Just's umbrella Let the rain kiss you. Let the rain beat upon your head with silver liquid drops. Let the rain sing you a lullaby.
The truth is, when I started to make films, I was terrified. I had a huge difference in what I was writing in the screenplay and what was on the screen after. Sometimes there was a big gap. Now, the more I have experienced, the more I do movies, the more I feel that the dream is closer to the screen. It's coming with experience.
My first college internship was at Sony Pictures Entertainment in Los Angeles. My second internship was at McKinsey & Company as a consultant - that turned into my first job after graduation.
I said we're going to leave phones, and so we did. We sold it to Sony.
I sold 2 million records on Loud, which was one-tenth of the size of Sony.
I had a couple albums out that sold well for who I was at the time and the type of music I played. People started recognizing my name and face and it helped sell bigger venues. I had a bigger spotlight and I had to live up to it but I thrived under that challenge. It expedited the creative process. If I was on stage in front of 300 people instead of 30, I had to work harder at my performances because I had a greater responsibility. It was very exciting, but creative too.
When I was growing up there was a product made by Sony called the Sony Walkman - a rage, everyone had to have one. Well, you don't hear about the Walkman anymore.
Just think how many books I could've sold if Harry had been a bit more creative with his wand." -[On the success of 50 Shades of Grey]
Right when I moved to L.A., I started writing. I wrote some screenplay. I'm sure it's terrible. But I wrote a screenplay by myself. When I first moved to L.A., I had no friends. I didn't know anybody. I just sat in a little studio apartment, and I wrote a screenplay.
My monochrome pictures are not my definite works, but the preparation for my works. They are the leftovers from the creative processes, the ashes. My pictures, after all, are only the title-deeds to my property which I have to produce when I am asked to prove that I am a proprietor.
This site uses cookies to ensure you get the best experience. More info...
Got it!