A Quote by Barry Eisler

I love Jet Li, but he looks very Chinese, and his English is Chinese-accented. He wouldn't have been the right guy to play a Japanese-American. — © Barry Eisler
I love Jet Li, but he looks very Chinese, and his English is Chinese-accented. He wouldn't have been the right guy to play a Japanese-American.
You may be right in believing that if you study hard, one day you might become fluent in English. But you will still look Chinese, and when people meet you, they’ll see a Chinese girl no matter how well you speak English. You’ll always be expected to know Chinese, and if you don’t, I’m afraid they will not respect you as much.
Jackie Chan is a very good comedy/martial arts star. He does one kind of martial arts that Jet Li doesn't know how to do and Jet Li does a martial art that Jackie Chan doesn't know how to do. You can both go to two Chinese restaurants, but both can have different kinds of food.
I have two sons in America, and all they care about in Chinese culture is Jackie Chan and Jet Li.
In acting you do a lot of research. Audience watch Jet Li because of the fight. They watch other actors because they are funny. If they want funny, they don't want to see Jet Li, they watch the other guy. That's the reality I face, until the one day I can prove I can make film without action that is a fun movie. Then everybody will say Jet Li, hmmm.
Until the age of five, my parents spoke to me in Chinese or a combination of Chinese and English, but they didn't force me to speak Mandarin. In retrospect, this was sad, because they believed that my chance of doing well in America hinged on my fluency in English. Later, as an adult, I wanted to learn Chinese.
My experience of Chinese culture is indirect, through echoes. When I approach the cashier at my local Chinese supermarket, they switch to English before I've even said a word. They somehow know that I'm not quite Chinese enough.
The Boxer Rebellion is a war that was fought on Chinese soil in the year 1900. The Europeans, the Japanese and their Chinese Christian allies were on one side. On the other were poor, starving, illiterate Chinese teenagers whom the Europeans referred to as the Boxers.
I go to Chinese Christian community. Jesus looks Chinese. I go to Japanese Christian community. Jesus looks Japanese. I go to Brazilian Christian community. Jesus looks Brazilian. How come in America Jesus looks white?
I love strong flavors too. Like I don't mind if it looks clean and clear and you know what you are eating if it has Italian, Chinese or Japanese flavor I love them all.
There are photographers who push for war because they make stories. They search for a Chinese who has a more Chinese are than the others and they end up finding one. They have him take a typically Chinese pose and surround him with chinoiseries. What have they captured on their film? A Chinese? Definitely not: the idea of the Chinese.
When I was writing stories about Chinese American characters in my fiction classes, I'd get comments like, 'You should consider writing more universal stories.' But anything can happen to a Chinese American girl - just as much of the canon of English literature involves white men or women.
I was so tired of the parts I had to play. There seems little for me in Hollywood, because, rather than real Chinese, producers prefer Hungarians, Mexicans, American Indians for Chinese roles.
There's inherent cultural imbalance whenever you're translating from Chinese to English. Educated Chinese readers are expected not only to know about all the Chinese references - history, language, culture, all this stuff - but to be well-versed in Western references as well.
There are a lot of Chinese comics, but the Chinese comics tend to be more historical and conservative. Japanese culture, just the comics are amazing. They're like films: very few words; they move so much in these books with hundreds of pages.
A war in the Taiwan Strait would destroy China's international relations overnight. It would destroy Chinese - Japanese relations, not to mention Chinese - American relations.
We were living with Bernard [Leach] in his home. He had a fantastic collection of early English and Japanese and Chinese and Korean pots and German pots, contemporary English work as well. And we had access to this collection.
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