A writers job is to destroy and then to build the thing back up again by a chosen means.
Critics like to build you up, tear you down, and then, if you're lucky, build you up again.
You can destroy a factory, and they'll build another. But once you destroy a life, that's it. You never get that person back.
As a writer, you understand how hard it is to build up backstory for characters, so you can have impactful moments. You have to build toward something and then pay it off.
I like to go for auditions. I enjoy that aspect of this job until I actually need a job, and then that becomes a problem. The worst thing is to build yourself up for a role and not get it, so now I'm just taking every day as it comes and trying not to rely on anything.
We have so many young men, especially, who are growing up without their dads. We have to fill that void. We have to do a better job helping young people see what it means to be a man, what it means to be a woman. And then, somehow, we have to put that family structure back together.
There are awful things that happen, dreams get crushed, you build yourself back up again, and then there are, hopefully, incredible partners in misery that say, 'Let me help you. I've been there before.'
My earliest memories were on the cattle stations up in the Outback. And then we moved back to Melbourne and then back out there and then back again. Probably my most vivid memories were up there in Bulman with crocodiles and buffalo.
The stressful thing about being an actor is, like, you have to kind of audition again and again and again, you know? You go in one time, and you go in again for a director and then again for producers and then again and again and again.
If you want to think about cooking, and it's a high-five, laid back motion, then flip burgers and dress Caesar salad, don't try to pitch in the premier league of restaurant. Build up to it, by all means.
My job, as an actor, is to give the director options. You can only hope that the takes that you thought were the best were chosen. But, then again, if I don't watch it, I'll never know.
Nirvikalpa Samadhi means you are sitting in meditation and you go beyond the planes of light to nirvana. Then you come back and here you are "back in the saddle again".
We need to destroy ISIS in the caliphate. That's - that should be our objective. The refugee issue will be solved if we destroy ISIS there, which means we need to have a no-fly zone, safe zones there for refugees and to build a military force.
To love means to give, and to give means to build, while to hate is to destroy.
Television is a great job for a writer in the way that movies used to be, way before my time. Back when writers in Hollywood were on staff or under contract at any given studio and you'd write movie scripts and then the movies would get made within a few weeks, such that you could be a working writer in the movie business back in the '30s and '40s and '50s and have a hand in writing five or six movies a year that actually got produced. The only thing remotely like that in the 21st century here in Hollywood is working in the TV business.
In TV, you're a 'writer for hire.' That means you're trying to guess what your boss wants and delivering that story. There's a lot of spitballing. The big thing is 'breaking story,' which means coming up with a story. You do it by episode and put it all up on a board.