A Quote by Barry Humphries
In Edna, I created a satiric portrait of my hometown of Melbourne, a large provincial English city paradoxically in far Southeast Asia. She's a theatrical figure, related to vaudeville in some respects. She inhabits a world in which there are comparatively few female exponents of comedy.
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A beautiful person among the Greeks, was thought to betray by this sign some secret favor of the immortal gods; and we can pardonpride, when a woman possesses such a figure that wherever she stands, or moves, or leaves a shadow on the wall, or sits for a portrait to the artist, she confers a favor on the world.
My father was English. He date-raped my mother so she's hated English men ever since. You know my boyfriend's English, and I'm, uh, I'm half-English, which she's never been real happy about. If she finds out I'm dating someone English, she'll ah, think I' turning my back on her and becoming a foreigner.' Cathy, that's the stupidest reason I've ever heard.
President Obama has made the Asia Pacific region a focus of his foreign policy, and Vietnam - a large, growing economy in the heart of Southeast Asia - is critical to those efforts.
In opening China, the English have secured their presence in East Asia. If we don't commit more resources to get into Southeast Asia now, they or Germany, or even little Belgium might find it ripe for the taking.
The new female is competent in all that she chooses. She chooses whatever her heart tells her. She can create a business, lead a country, drive a truck, hammer nails, deliver mail, or raise a family. She is at home in every social and physical environment. She can be a housewife, if she chooses. She can be anything else, too. She is intuitive and heart centered. She is all that a female has been, and more.
There was no such person as Marilyn Monroe. Marilyn Monroe was an invention of hers. A genius invention that she created, like an author creates a character. She understood photography, and she also understood what makes a great photograph. She related to it as if she were giving a performance. She gave more to the still camera than any actress-any woman- I've ever photographed.
Beyonce has very clear ideas - she knows exactly what she wants. The thing which she then also has over other celebrities is that she has an amazing voice. She's incredibly talented, and she's an amazing dancer - she's complete. Few are like Beyonce.
Aditi is a comedy superstar over in India. She's only one of three female English-speaking comedians in India.
Elektra met Matt, and she fell in love with him. And I think he brought some good out of her at some point in her life, and maybe she wants to figure out, by coming back to him, who she really is. She comes back because she misses him, and she's alone, and the only person she's ever loved is Matt.
I had never really heard of Meryl Streep before. Someone told me she was an actress and she'd been in a few things, but I said, you know, whatever. She showed up and she seemed somewhat inexperienced, so I gave her a few pointers, and I think she has a decent career ahead of her. It's always hard to tell these things in Hollywood, but I do think that she has some talent under there. I think she's a diamond in the rough.
The techniques are all means of dealing with one simple idea: She wrote it. (That is, the "wrong" person--in this case, female--has created the "right" value--i.e., art.)
Denial of Agency: She didn't write it.
Pollution of Agency: She shouldn't have written it.
Double Standard of Content: Yes, but look what she wrote about.
False Categorizing: She is not really she [an artist] and it is not really it [serious, of the right genre, aesthetically sound, important, etc.] so how could "she" have written "it"?
Or simply: Neither "she" nor "it" exists (simple exclusion).
When I lost my wife I had a whole different concept of her life. She lived 21 years and people who knew her know it wasn't about the great things she did on this earth. It wasn't that she had money or had popularity, it was that she loved Jesus Christ more than anything else in this world. That was how she related to the world.
You know, she was a girl. She was a female. And she wasn't like, trying to compete in a man's world and she wasn't trying to be in a man's position, she was just who she was. And I think that was like, a good thing.
She felt a board indifference toward the immediate world around her toward other children and adults alike. She took it as a regrettable accident to be borne patiently for a while, that she happened to be imprisoned among people who were dull. She had caught a glimpse of another world and she knew it existed somewhere, the world that had created trains, bridges, telegraph wires and signal lights winking in the night. She had to wait she thought, and grow up to that world. - Dagny Taggart
It's funny: when I was a kid, my mom would reorganize the record collection all the time. She'd have classical, she'd have Celtic, she'd have rock and roll, and then she'd have female singers. And I don't like it that female singers are their own genre.
The provincial intellectual is doomed to arguing at low level... there is still no Australian literary world, not in Sydney, Melbourne, Adelaide. It is some consolation to realise that there is no literary world in Birmingham or Los Angeles either. I have heard there is one in Montreal, but I don't believe it. The literary world is in London and New York, the only cities big enough to sustain magazines which can afford to reject copy.
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