A Quote by Barry Keoghan

I look like a kid onscreen in most movies. — © Barry Keoghan
I look like a kid onscreen in most movies.
I look at my movies; I call my movies 'the kid.' It's like I'm giving birth. I'm in the cocoon, you know?
When I watch movies with my kid like 'Shrek,' I'm like, 'Wow, this is pretty funny.' That's why I wanted to start doing movies like that - so my kid would laugh at my jokes.
Most filmmakers' entire body of knowledge is of other movies. When they describe things, they describe them in relation to other movies. That's why we have so many cyclical movies that look like other movies. But I'm not cynical. I even go to some of those movies.
Look, I think if you talk down to a kid or aim specifically at a kid, most kids aren't gonna like it, really, because most kids can feel when you are being patronizing.
I grew up with a lot of monster movies, robot movies, since I was a kid. I love anime movies, like 'Evangelion' and 'Ghost in the Shell.'
When that character and the X-Force appeared, they took the comic world by storm. You have to look at those numbers. And you see that that isn't Rob Liefeld's only creation. There's all these other things, like Cable and Domino. There's so many things that actually could be fascinating onscreen and unlike anything you've ever seen before onscreen. So I think Fox is in a really nice position where they've got something that feels as wide and different as the Marvel Universe.
My hand still shakes when I sign autographs. I still go and sit in the movies like everyone else and look up there and go 'God! Movie stars! Wow!' And I'm in this business. I walk out there just fascinated, and I always want to stay like that. I'm just a little kid going to these movies, and I don't ever want to change.
You can't work in the movies. Movies are all about lighting. Very few filmmakers will concentrate on the story. You get very little rehearsal time, so anything you do onscreen is a kind of speed painting.
What I think I'm perceived as in France is, like, I'm this leading man always doing strange movies because most of the movies I did, like 'Irreversible' or 'Brotherhood of the Wolf' and a bunch of others, and even in France, they always come out as a particular movie, not like the typical French kind of movies that people know most of the time.
As a kid, a little kid I loved going to the movies, and now I love making movies.
As a kid, a little kid, I loved going to the movies, and now I love making movies.
I think the whole stigma of 'black movies' is slowly being lost. When you look at movies like '12 Years A Slave,' to 'The Butler,' to 'The Best Man,' to 'Ride Along,' to even 'Think Like a Man' from last year - these movies are just good movies.
I do really like doing animated movies. I like watching animated movies, and I always have. That's something I didn't let go of, from when I was a kid. It's always exciting for me to get to do that. Animated movies are so rarely bad.
Luv Ranjan does not believe in bikini bodies. Therefore, he always insists that we look like relatable characters onscreen.
You search for images and stories and movies and music from people that look like you and sound like you and speak like you because you want to feel like, 'Oh, if they can do it, so can I.' There's a little bit of that need for validation, especially when you're younger and trying to look to someone to look up to.
I grew up on certain movies, particular movies that said something to me as a kid from Missouri, movies that showed me places I'd yet traveled, or different cultures, or explained something, or said something in a better way than I could ever say. I wanted to find the movies like that.
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