A Quote by Barry Keoghan

Every actor wants to show a good and deep range, so you look at all the elements here, and you make a conscious choice of where you want to go as a performer. — © Barry Keoghan
Every actor wants to show a good and deep range, so you look at all the elements here, and you make a conscious choice of where you want to go as a performer.
Nothing is a conscious choice as an actor at the begining stage. There's so little that's a conscious choice even now. The offers, as absolutely limited as they are even at this point in my career, I have to really think about. I have a family, and it's a job. There are times when you take work that you normally may not dig. If someone says, "I want to meet with you," and they're about a hundred miles away, just go. You never know what might come out of it, and if you can make it, make it to the meeting.
Every actor wants to direct and produce, but I made a conscious decision when I was in college to understand the 'business' of 'show business.'
Everyone who comes to the entertainment industry wants to be a film actor. Who wants to be a television actor by choice? I want to change the perception of Indian television as being the poor man's medium.
Los Angeles is where you have to be if you want to be an actor. You have no choice. You go there or New York. I flipped a coin about it. It came up New York, so I flipped again. When you're starting out to be an actor, who wants to go where it's cold and miserable and be poor there?
Though all actors do not make good directors, Dhanush is really one of the finest. He knows exactly how to direct an actor to extract the performance the way he wants it. Perhaps that is happening because he is a performer himself.
I think every New York actor's dream is to do Shakespeare in the Park. Each show is so special and unique and diverse because of the elements that we're performing in. Every live show is truly a one-of-a-kind.
Every choice you make as an actor ends up being really influential on your life, because you're spending a lot of time working on this project, and you want to make sure you're making good choices and you're not making them for the wrong reasons. I just want to be careful and not jump into anything.
It is not a mystical thing, however, it is obvious and practical and I think that what the performer does is to try to get to that point with every choice you make from the phrasing in a tune to the choice of tunes.
I think, as a performer, the biggest challenge is that you want to do a good job, pushing yourself. You want to go the extra mile every time.
If a player needs money, and that's a decision he's willing to make to go to college based on name, image and likeness, where he can make more money instead of where he wants to go to school, why don't we give him the choice to go to the NFL if he's ready to go and if the NFL wants him to go? Basketball has done it for years.
Authenticity is a collection of choices that we have to make every day. It's about the choice to show up and be real. The choice to be honest. The choice to let our true selves be seen.
Psychologically, the choice "to think or not" is the choice "to focus or not." Existentially, the choice "to focus or not" is the choice "to be conscious or not." Metaphysically, the choice "to be conscious or not" is the choice of life or death.
No actor wants to be typecast, so you always want to make good, careful choices.
When I first got to New York, all I did was musicals. After a few years I had to make a conscious choice to close the door on musicals, because I was getting pigeon-holed as a musical theater performer.
I am selective, but at the same time, I want to be out there as an actor and show people my range.
Like any actor, I want to be able to have a long career and show different characters and a range.
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