A Quote by Barry Lane
My television fed me visions, but I never created my own until I became a reader.
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Before you can become a writer, you have to be a reader, and a reader of everything, at that. To the best of my recollection, I became a reader at the age of 10 and have never stopped. Like many authors, I read all sorts of books all the time, and it is amazing how the mind fills up.
On to the Next Dream became about much more than me facing a challenging situation; it became about how all of us feel when we're thrust unexpectedly into change. It's about how we all hold onto personalized visions of our lives, our city, and our culture, and what we do when reality forces us to confront the impermanence of those visions.
The realities of the world affected me as visions, and as visions only, while the wild ideas of the land of dreams became, in turn,—not the material of my every-day existence--but in very deed that existence utterly and solely in itself.
I'm against having a Fed. It's socialism in its worst form. But until the Fed is gotten rid of, the only economic variable the poor have to counteract the injustices of the Fed is the minimum wage law.
I cried sobbingly until at last those visions reeking with blood came to comfort me. And then I surrendered myself to them, to those deplorably brutal visions, my most intimate friends.
My readers have to work with me to create the experience. They have to bring their imaginations to the story. No one sees a book in the same way, no one sees the characters the same way. As a reader you imagine them in your own mind. So, together, as author and reader, we have both created the story.
I am always considering the reader. Although this is admittedly kind of odd: Which reader? On what day? In what mood? For me, that "reader" is actually just me, if I had never read the story before.
I was an avid reader as a child because we didn't have television in Ireland until the mid-'60s.
An editor is like a professional reader, and as I became a better reader, I also became a better writer.
I became an actor, and because I had success as an actor, I became famous. I was acting for quite a while before I got famous; television made me famous. I guess that it's television that is responsible for everybody's desire to be famous.
Ed Simmons and I became stars in the emerging medium of television. We were new and fresh, just like TV at the time, so we automatically became 'THE' comedy writers for television.
The book is finished by the reader. A good novel should invite the reader in and let the reader participate in the creative experience and bring their own life experiences to it, interpret with their own individual life experiences. Every reader gets something different from a book and every reader, in a sense, completes it in a different way.
They dislike me, the liberal media dislikes me. I was always the best at what I did, I went to the Wharton School of Finance, did well. I went out, I started in Brooklyn office with my father, I became one of the most successful real estate developers, one of the most successful business people. I created maybe the greatest brand. I then go into, in addition to that, part time, like five percent a week, I open up a television show. The Apprentice on many evenings was the number one show on all of television, a tremendous success.
Once he became a series character, I made the conscious choice that he would never act like a series character, never wink at the reader, never pull his punches. Better for him, better for me.
The term 'web-series' has a stigma attached to it because it was created at a time when the only web-series that were being created were being created by people who would have loved to have a television show, but they couldn't. So they created a web-series instead, on their own dime. And those series look cheap because of it.
I think that when Tolkien created Gollum and the ring, he even expressed in his biography that he never really knew what he created until he went back and looked at it.
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