A Quote by Barry Mann
You can get stale writing with each other for a while.
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A lot of readers ask me, "Do you ever get emotional while writing the book?" or "Did you cry when you killed this character?" And the truth is, no, I didn't. That's not really the way I approach it. I don't get emotional while writing, but then there are plenty of other authors who do.
While princes do rule the empire, they have to work within certain boundaries, and they're also always in a contest with each other to become the next emperor. And this contest includes actually killing each other, doing anything they can get away with to each other.
If you start off writing an album with a band, the reality is that you're constantly in each other's company, so it's really important that you get on with each other.
I like to listen to music that fits with what I'm writing. For each book, I've assembled a playlist, so readers can get a sense of what I was listening to while I was writing.
My books are based on the "what if" principle. "What if you became invisible?" or "What if you did change into your mother for one day?" I then take it from there. Each book takes several months in the long process of writing, rewriting, writing, rewriting, and each has its own set of problems. The one thing I dislike about the writing process is the sometimes-loneliness of it all. Readers only get to see the glamour part of a bound book, not some of the agonizing moments one has while constructing it.
People need each other to help each other up. But we can't stand near each other because we fear each other. When you get over fear, nothing matters anymore but love.
Really, when you get down to racism, in or out of the church, it's a heart issue. It's not a head issue. When we actually get to experience each other's ministry, and each other's struggle, and each other's pain, there's a much greater sensitivity.
I always think you've just got to move on. If you keep wallowing in the thing that you've done for a while you get a bit stale.
I thought about ["Summer Sisters" ] so often as I was writing about these female characters who love each other and hated each other and were sort of in love with each other.
The line of demarcation between history and legend is too thin to observe while writing; the two overlap each other unconsciously and unknowingly.
I get along really well with [my father] now, but I had a terrible time with him in my teenage years. All we did was scream at each other, and when we weren't screaming at each other, we just wouldn't talk to each other.
These pigeons have been living with each other for 10 or 15 years, but when I throw feed down, they kill each other to get it, and it's the same with the fighters. We love and respect each other...but we need that money.
As the world is getting smaller, it becomes more and more important that we learn each other's dance moves, that we meet each other, we get to know each other, we are able to figure out a way to cross borders, to understand each other, to understand people's hopes and dreams, what makes them laugh and cry.
I mean, if we're concerned genuinely with writing, I think we probably get on with our work. I think this is very true of English writers, but perhaps not so true of French writers, who seem to read each other passionately, extensively, and endlessly, and who then talk about it to each other - which is splendid.
A true community consists of individuals - not mere species members, not couples - respecting each others individuality and privacy while at the same time interacting with each other mentally and emotionally - free spirits in free relation to each other - and co-operating with each other to achieve common ends. Traditionalists say the basic unit of "society" is the family; "hippies" say the tribe; noone says the individual.
There never is any such thing as one truth to be found in dramatic art. There are many. These truths challenge each other, recoil from each other, reflect each other, ignore each other, tease each other, are blind to each other. Sometimes you feel you have the truth of a moment in your hand, then it slips through your fingers and is lost.
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