A Quote by Barry McGee
As soon as street art got popular, I was just like, 'I'm out of here.'
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I think when something becomes a comfortable genre, it's against what street art stood for in the beginning - breaking out of genres and taking art out of galleries. Now street art is in the gallery, and it's all made up into a nice, packaged concept.
Street art belongs on the street. But I'm a working street artist and I earn my money selling art in the style of street art via galleries.
I started out to be a person on the street, just like everybody else. I didn't start out to be a singer. But I got sort of swept up in this singing thing, and after I got involved in it it got really important to me if I was good or not.
When it comes to the street-art world, there are a lot of people who realize if they go out and put up a few pieces of street art and photograph them really well, even if their locations weren't actually that high-profile or dangerous, with the level of exposure they get from the Internet, with a large audience, they can maintain that rebel cache by having it be theoretically documented street art.
As soon as I got my driver's license, I went crazy, and I got the Ford Cosworth, which was this limited edition street racing turbo. It was like this 200-miles-an-hour monster.
I go out every day. When I get depressed at the office, I go out, and as soon as I'm on the street and see people, I feel better. But I never go out with a preconceived idea. I let the street speak to me.
I have always been a Peter Blake fan and love street art and graffiti. I really like this street-art collective called Faile. They're from Brooklyn and make these prints of beautiful women.
I got into playing the jazz. I played jazz for a good while. I did the popular stuff first. You got the "Twelfth Street Rag" and those kinds of things. Then I got to hanging around with a bunch of guys starting to playing jazz. We'd go from one place to the other and take our instruments, just perform for free.
As soon as I got out there I felt a strange relationship with the pitcher's mound. It was as if I'd been born out there. Pitching just felt like the most natural thing in the world. Striking out batters was easy.
A lot of people thought I got famous as a studio artist, then decided to cash in on it. But it actually was just a matter of survival for many years, and I felt it was really important for me to be able to say whatever I wanted with my street art and fine art.
Art is too popular. If plumbing was as popular as art is we would have amateur plumbers running around brandishing wrenches and Roto-Rooters, climbing in and out of sewers and writing gibberish about pipe systems. And none of our our toilets would work.
I'm interested in confronting police brutality and police abuse of cracking down on street performers and street artists, but also in valorizing street art as legitimate performance within the artistic sphere, where it's so often conflated with pan-handling and begging and not "successful" art. I want to change laws around street performance.
I tried the line out on some people on the street, like, "What do you think of this: 'the art of family life is to not take it personally'?" And they would laugh. But you know, everybody's got something going on in their families, and then once you have kids, that of course exponentially rises.
The Gulf War was like teenage sex. We got in too soon and out too soon.
The Lord givith and the Lord takith away. I was given a lot of signs from the universe and looking at it in retrospect made me feel like God was telling me I needed to follow my dream. My granny getting in that car accident and being at that hospital when I was going there to see my girl... that whole part of the story where I go to the show and come back to the hospital... and it was almost like as soon as I found out that my granny didn't make it as soon as I got back, I also found out that my son had just come out.
Michael Bisping, in one of his last fights, he stepped out there too soon. He had a brutal fight with Georges St-Pierre and then real quick jumped in against Kelvin Gastelum and just got put away. If you do that, if you step out there too soon... this is your livelihood.
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