A Quote by Barry McGee

I'm really into California art from the '60s. — © Barry McGee
I'm really into California art from the '60s.

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I'm really into California art from the '60s. I like a lot of Bay Area artists, like Nathan Oliveira and Bruce Conner.
I got really into art at school and then went onto art college in California.
Who would be an artist that was perfectly happy? Maybe nowadays, but when I grew up in the '60s, you had nobody in the art club who was popular. No cheerleaders in the art club. I was told that I couldn't be a painter by my first painting teacher. I said I wanted to go to Cooper and be an art student, and he said, "You'll be a waitress." It was really the strangely indifferent parenting.
We believed that there's no such thing as good art or bad art. Art is art. If it's bad, it's something else. It was a much, much harder line in the '50s and '60s than it is now, because the idea of art education didn't exist - they didn't have a fine arts program when I was a kid.
When I was growing up and going to art school and learning about African-American art, much of it was a type of political art that was very didactic and based on the '60s, and a social collective.
California has set up regional collection offices around the world, staffed by California employees, specifically for out of state California businesses to collect the money and bring it back to California.
I lived in France during the '60s. I was there from the early '60s until 1970, so my view of the '60s is more global. It was a time of tremendous transition, not only for America but for the whole world.
One of the reasons I come to California is that the Republican party seems to have given up on California, and my message to those in California is that we're going to compete nationally as a party, and that includes California.
I grew up in California, which was not - at least in the '50s and '60s - a cultural oasis by any means. Certainly not Orange County, anyway.
Secretly, I think everyone who makes fun of California really does want to be in California.
I had never really thought about acting as art. You know, growing up in Youngstown, the Rust Belt of the world, it was always just a form of entertainment. Finally seeing it as an art form, I fell in love with it. So I moved out to California, never having visited before.
In California, especially Northern California, the fans really cheer for me.
Going to the Huntington gardens and libraries was radically important for me. They have one of the best collections of 18th- and 19th-century British portraiture that you can imagine in Southern California. One doesn't think about Southern California as being the capital of great art.
When I came back to California in the early '60s I was hanging out with Jimmy Bowen, Phil Spector, and I wanted to be a record producer and work with other artists.
The idea of a Chicago band that wanted to sing songs about California is really funny. Having never been to California.
For the art-historically informed, no art has truly shocked since November 19, 1971, when Chris Burden had himself shot in the arm by a friend, at F-Space in Santa Ana, California. Sliced cows and surgically altering one's own face is aftershock art.
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