A Quote by Barry Ritholtz

Based on a lifetime of observations and a few decades in the markets, I understand that societies, beliefs and fashions all move in long arcs of time. We call these arcs several things: cycles, periods, eras.
Secular cycles are the long periods - as long as decades - that come to define each market era. These cycles alternate between long-term bull and bear markets.
I think what's fun about the Western genre is the character arcs are very strong and, arguably, more interesting and exciting than the action that is metaphorically representational of those arcs.
I suppose that, for me at least, the biggest difference betweenThe Gunslinger Born and the next two story arcs (The Long Road Home and Treachery), is that while Gunslinger Bornwas a translation of an existing novel, the next two arcs are really the stories that I've been weaving since I first started working with Steve King on the Dark Tower back in 2000/2001.
Societies that exclude the exoskeleton of religion should reflect carefully to what will happen to them over several generations. We don’t really know, because the first atheistic societies have only emerged in Europe in the last few decades. They are the least efficient societies ever known at turning resources (of which they have a lot) into offspring (of which they have few).
I broke a lot of conventions. Look, I spent a long time as an actor. I spent a lot of time playing pretty ordinary arcs.
There are fashions in building. Behind the fashions lie economic and technological reasons, and these fashions exclude all but a few genuinely different possibilities in city dwelling construction at any one time.
I am a big proponent of character arcs that show us how people change over time.
I'm a firm believer in stories with arcs and beginnings and endings and all that. 'Scott Pilgrim' is sort of one long novel, and it's so long that I get confused and sort of tread water sometimes. But there's definitely a goal to it. People who just dismiss it as shallow, that's their prerogative, but it's not really my intent.
Being in the industry, I've seen many situations where someone will get the call from the network where they say 'You guys have 5 episodes to wrap it up.' Then all your long-term story arcs gotta get wrapped up in five episodes because that's how many episodes you got left. I would hate to see that happen to 'Castle'.
On the earth the broken arcs; in the heaven a perfect round.
People don't have these tidy little redemption arcs in reality the way they do in movies.
Some lives, conducted with grace, are beautiful arcs bridging this world to eternity.
If you watch the arcs of so many comedians, at some point, they just become themselves.
There are a few things that'll move people to pity, a few, but the trouble is, when they've been used several times, they no longer work.
Because of streaming, serialized television has become less of a dirty word when you're pitching shows. I had to fight for that for so long as someone who's always gravitated towards ongoing story lines with characters that evolved and changed and storylines that continued over longer arcs.
It's the reason I love doing TV - revisiting stories and characters and the length of the story arcs.
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