A Quote by Barry S. Strauss

There is a place where cerebral an corporeal meet: they call it rowing — © Barry S. Strauss
There is a place where cerebral an corporeal meet: they call it rowing

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Every corporeal substance, so far forth as it is corporeal, has a natural fitness for resting in every place where it may be situated by itself beyond the sphere of influence of a body cognate with it.
I started rowing in December 1995. The place was Association Nautique Faontainbleau in France. A friend of mine from middle school told me that I should join him 3 times a week for rowing because my hands were so big that I would'nt require oars to row.
It's great to see the World Rowing Championships returning to U.S. soil for the first time in 25 years. I am even more excited that it will be taking place in my home state of Florida. Regardless of where my rowing career takes me, I am sure to be in attendance in Sarasota in 2017.
I want to take you to a place of pure magic... It's the place athletes call the "zone". Buddhists call "satori" and ravers call "trance". I call it the Silver Desert. It's a place of pure light that holds the dark within it. It's a place of pure rhythm.
I got a call saying that George Lucas wanted to meet me. Of all the phone calls I've received - Oliver Stone wants to meet you; Spike Lee wants to meet you - that was the one call I never in a million years thought was going to happen.
For a thorough understanding of rowing, for the what, the how and the why, the books making up Peter Mallory’s The Sport of Rowing certainly do it all.
I'm probably the least cerebral guy you're ever going to meet as a writer.
I wanted to make an artwork that really underlined the contradiction between how machines see and how humans see. Because music is so affective and is just as corporeal as it is cerebral, I thought coupling a music performance with machine vision adds up to something that work on an emotional, aesthetic, and intellectual level.
Either there are no corporeal substances, and bodies are merely phenomena which are true or consistent with each other, such as a rainbow or a perfectly coherent dream, or there is in all corporeal substances something analogous to the soul.
As I stood in the booth chatting to people, it occurred to me that besides good racing, the Crew Classic provided an ideal setting for the brotherhood of rowing. The brotherhood connects real rowing people. Teammates who haven't visited in years came together, and so do former opponents who once battled like mortal enemies. Suddenly they discovered they have much more in common. Long live the brotherhood of rowing.
Ocean rowing is very much what you make it. Rowing technique is pretty irrelevant on the ocean. It's the psychology that's important.
Now, in my middle age, about nineteen in the head I'd say, I am rowing, I am rowing.
I love the walking contradiction of the body. I want to make corporeal characters, corporeal writing, I want to bring the intensities and contradictions and beauty and violence and stench and desire and astonishing physicality of the body back into literature.
Rowing provided a place to go, a community where people cared about what I did and what I achieved.
Once one is beyond a certain level of commitment to the sport, life begins to seem an allegory of rowing rather than rowing an allegory of life.
When one rows it is not the rowing which moves the ship: rowing is only a magical ceremony by means of which one compels a demon to move the ship.
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