A Quote by Barry Sonnenfeld
They want to let the audience figure things out and let the reaction shot get the laugh.
Related Quotes
I was afraid no one would laugh, and I wanted to pretend I wasn't noticing the audience. I didn't want the audience to get the idea I was telling a joke and waiting for a laugh.
I think the sooner you take responsibility for what reaction you want to get out of an audience, the better.
You start to find a rhythm and usually if it makes me laugh or comment in the editing room then I knew that's what's going to happen in the audience. That first reaction is usually the right reaction.
My first reaction to the script is simple - whether I laugh or cry. I like to see a film from an audience's perspective and that is my first reaction.
My audience expects me to push the limits, to be politically incorrect. I do that because for me, that's the only place where the fun is, when I get to push the boundaries and make people laugh at things that they probably didn't want to laugh at.
We're all like detectives. We want to figure things out. Life, you know, we want to figure out life, and we want to figure out what's going on, so it's beautiful. It's beautiful that people are thinking.
As you get older as a comedian and keep doing it, what you actually start to cherish on stage is not the build-up to the jokes, but how comfortable you can be in the silence and the non-laughing parts, and how long you can take the audience without a laugh to then get a huge reaction.
As you get older, as a comedian, and keep doing it, what you actually start to cherish on stage is not the build-up to the jokes, but how comfortable you can be in the silence and the non-laughing parts, and how long you can take the audience without a laugh to then get a huge reaction.
If I'm not doing the work I want, I usually suffer a psychological allergic reaction and get ill. It niggles when things get out of my control.
The audience loves to figure things out. They love it when a performer leaves a trail of bread crumbs for them, and they get to participate in the comedy.
Knowing you don't have much time left changes things. You get kind of philosophical. And you figure things out-more like, they figure themselves out-and everything gets real clear.
The best way to make friends with an audience is to make them laugh. You don't get people to laugh unless they surrender - surrender their defenses, their hostilities. And once you make an audience laugh, they're with you. And they listen to you if you've got something to say. I have a theory that if you can make them laugh, they're your friends.
We played a show the other week at this festival and it was an audience that I'd never normally play in front of. That's one the greatest things about festivals: you don't always get your audience, you get people who just pop in out of curiosity. The reaction was amazing; there were people dancing, which we've never had, I guess because the message is pretty powerful and the performance is a lot more visceral than it has been previously. The audiences seem to be reacting to that really well and it's a wonderful thing, because at a performance you really bounce off your audience.
The task is to influence and create a reaction in the audience. In my opinion, any reaction of a human being in the audience, I think this is great. It means we touched the person's soul.
The feeling you get from playing to a good audience is hard to describe without sounding as though you are talking silly. But reaction is important. You might feel in yourself that you're doing it ok but it's when you get the live reaction that you know you're doing it right.
I'm not good at many things. But I really like songwriting, and I get a good reaction from it. There's not much that I do that causes a good reaction, so it feels like if I want to have good things happen, then I should do the things I'm good at. I mean, in all seriousness, I left school at 15. I'm unqualified to do anything else.
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