A Quote by Barry Trotz

You go the whole distance as a player, the last thing you probably want is the coach to say, 'Okay, you've gone this far, I'm going to take you out.' — © Barry Trotz
You go the whole distance as a player, the last thing you probably want is the coach to say, 'Okay, you've gone this far, I'm going to take you out.'
The mentor thing is overblown to me. I'm going to coach the player. I'm not going to have another player coach the player. They can be friends but when it comes to what I want him to do on the football field, that's my call, not another player's call.
We are the rags to riches story, okay, the Robertson's are. Okay? We had very humble beginnings. Everybody's trying to figure out what, what's behind it, and all the Robertsons say, 'Hey, it's divine intervention.' Me personally, okay, God's gonna take 'Duck Dynasty' where he wants it to go, okay, and to the people that he wants it to go to.
We are the rags to riches story okay the Robertson's are. Okay? We had very humble beginnings. Everybody's trying to figure out what, what's behind it, and all the Robertsons say, 'hey, it's divine intervention.' Me personally okay, God's gonna take "Duck Dynasty" where he wants it to go okay and to the people that he wants it to go to.
My coach keeps telling me to say I'm not going to retire. I should just go through the motions and see what I feel every year and see if I really want to do it, but personally, I want to do it, but my coach says just take your time, don't rush.
It's very easy to say take a player, a world-class player out of the system of playing and just push him into a coaching role but coaching is a whole other thing. It's a skill.
Look people. I’m just a tool to get you where you need to go. If you don’t want to go there, that’s on you. But I’m going to do my best to help you get where you want to be. Okay. So when you get mad and I hear you say ‘I love you but I hate you’. Let’s take the hate out. Love me and love yourself because you can dig, and you can go.
One thing that I like from a coach is that they don't put up too big a distance between the player and the trainer.
I think the coach-player relationship is a two-way thing. You have to be willing to take suggestions as a player and vice versa.
My coach in college always told me, 'You don't go out there to win lackadaisical, you don't go out there to win by one point, you don't go out there to coast through - you go out to dominate. You impose your will on a man.' And he was my fight coach for a little bit, too, and I did the same thing.
The best thing that a coach can have is experience. The first time that you're going out to lead a team on the field, you have certainly thought about what you're going to say, but it gets easier as you go. You'll learn what works and what doesn't, not just about what you do on the field but what you say to players to get them motivated.
One thing I know is if I have my best player, I'm not going to let another team take him out of the game so I can throw to somebody else. I'm going to find a way to get my best player involved so they can't take him away.
I think any player would tell you when you've got a coach that believes in you and you don't have to be looking over your shoulder after every play you do, and you can just go out and play, that's the coach you want to have on your team.
God, I hate the whole ladette thing. The more distance I get and look back at my party days, the more I'm kinda pleased I did it because it's the last thing I'd want to do now.
So, as I step out and take these first steps on this journey to do my own thing, I didn't want to have to get anybody's approval on anything. I didn't want to have to ask a record label 'Is this okay for the album cover? What time do you think I should go on tour this year?'
When you're doing an investigation of a company that is doing things that they don't want to be found out, and they say, "I don't want to be on tape," you're not suddenly going to step away and say, "Okay, I'm not going to make a film."
Die Hard With A Vengeance shooting was a great time, because we had an interesting script. The first script was called Simon Says, and something was going on, because some days we'd get to work, but we wouldn't actually have dialogue. We would go to Bruce's Willis trailer, and they'd say, "Okay, you have to go from 168th Street to 97th Street today. We're going to do it in the cab, and Sam, you say this. Bruce, what do you want to say?" And that's how Bruce's "hey, Zeus!" thing came up.
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