A Quote by Barry Trotz

If you're not playing really well, practices can sort of correct it. — © Barry Trotz
If you're not playing really well, practices can sort of correct it.
The fundamentals have to be emphasized: tackling the correct way. Having the right equipment. Making sure that you don't have very violent practices or contact practices.
Since a month, two months ago, you know, I've started hitting the ball well. I'm playing some really good tennis. That really helps. I sort of have to motivate myself to get pumped up. It really helps my game a lot.
The beauty of string theory is the metaphor kind of really comes very close to the reality. The strings of string theory are vibrating the particles, vibrating the forces of nature into existence, those vibrations are sort of like musical notes. So string theory, if it's correct, would be playing out the score of the universe.
In India, at the community level, young men are playing an absolutely essential role in changing the cultural norms and deeply held practices concerning women. They are doing this in a way that not only empowers women and girls, but really empowers the young men as well.
You get this really cool groove when you're playing just piano, bass, and drums where everyone's sort of feeling each other's space, which is the only way to put it, but it really is true, and everyone's sort of sitting in their own pocket. It's kind of jazz-like.
It's nice to sort of walk in and at least create the illusion that you are, or your character is, a well-rounded human being, a complete person. Especially when you're playing these impressive, high-functioning professionals. You feel like you have to come in sort of guns blazing.
Practices for me, when your team is not going really well, it can stake a lot of stink out of the air.
People have sort of been swirling around me, going, 'Oh, you should run for mayor.' Well I didn't really want that job. 'Well, you should run for governor.' Well, that's not really possible.
I have created the Raven in my own image over the years and insist that mine is the version of this personality that is correct - well, at least it is correct as far as I am concerned.
I like playing sort-of-crazy people. There's something really, really fun about that.
The thing is, even if you're playing sort of a heightened character and playing inside sort of a heightened reality, you can still apply your own truths to those characters.
I'm sort of old-fashioned in the sense that I like to write something that I feel I could just perform alone, obviously, because I do that a lot in concert. So I try to make a song where there is as much that is as distinct as I can get it, just if I'm playing it or if I'm singing it. That makes me really do a lot of stuff in the guitar work when I sit and try to figure out how to indicate what sort of dynamic I'm aiming for. Where, rhythmically, I want to go. That's sort of what ties a lot of different records together, is that it's usually always based around me singing and playing a guitar.
When you get offered the captaincy, you've got to have a go. In India, where it went well, I was playing well ,and anything that needed doing, I'd do it myself. When I wasn't playing well, it was tough.
I sort of got into Westerns... It was a sort of desperation move, really. I had several pictures that didn't go very well, and I just realised that I would have to try something else.
And I guess the thing that I really sort of rely on in me is that I love racing and I love competing and so I know that you know when the time comes and the pressure's on and I have to swim well, I'm sort of able to pull it out and sort of get the best out of myself.
Sometimes when you start playing games you don't get as many practices and you don't get as many touches. People think you have the puck the whole time during a game - you really don't.
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