A Quote by Barry Zito

I refuse to be molded into some stereotypical ballplayer that has no interests, really, no life, no depth, no intelligence. — © Barry Zito
I refuse to be molded into some stereotypical ballplayer that has no interests, really, no life, no depth, no intelligence.
The difference between the old ballplayer and the new ballplayer is the jersey. The old ballplayer cared about the name on the front. The new ballplayer cares about the name on the back.
In the name of Christ, I refuse to be anti-gay. I refuse to be anti-feminist. I refuse to be anti-artificial birth control. I refuse to be anti-Democrat. I refuse to be anti-secular humanism. I refuse to be anti-science. I refuse to be anti-life. In the name of Christ, I quit Christianity and being Christian. Amen.
I do Broadway because I refuse to succumb to the stereotypical things that Hollywood does to a performer.
There is always going to be depth and layers to people and that's what interests me in a character: when there is some problem to overcome, when there is a complication to understand in a person.
I feel as though my career really hit its high point when I was cast as a supporting actress in 'American Wedding'. I thought the script had a lot of depth and intelligence, and it really just jumped off the page.
I feel as though my career really hit its high point when I was cast as a supporting actress in 'American Wedding'. I thought the script had a lot of depth and intelligence, and it really just jumped off the page
What the Net does is shift the emphasis of our intelligence, away from what might be called a meditative or contemplative intelligence and more toward what might be called a utilitarian intelligence. The price of zipping among lots of bits of information is a loss of depth in our thinking.
I think it is natural that every country has to take care of its interests, but there are some interests that are common to all countries. There are some human interests, or we need also international cooperation. We've sometimes confused it with dictation.
Drax isn't your average stereotypical soldier/warrior/musclehead. He actually has some depth. It was a character that I wanted to play, not only because I love acting so much, but also, I needed to play to get people to actually take me seriously as an actor and get away from the pro wrestling label.
What I sought in books was imagination. It was depth, depth of thought and feeling; some sort of extreme of subject matter; some nearness to death; some call to courage. I myself was getting wild; I wanted wildness, originality, genius, rapture, hope. ... What I sought in books was a world whose surfaces, whose people and events and days lived, actually matched the exaltation of the interior life. There you could live.
Some people think that Southern hip-hop doesn't have any depth. They think it's just noise, all about people having a good time in the club. And some of it doesn't have a lot of depth, it's true, but some does. I wanted to work against that stereotype. These are verses by Southern artists who are really wrestling with what it means to be here, young black men who are trying to figure out how to live in the South. So I wanted the epigraphs in my novels to reflect that.
There ain't much to being a ballplayer, if you're a ballplayer.
The ballplayer who loses his head, who can't keep his cool, is worse than no ballplayer at all.
Management interests me at some stage in my life, I have always said that. When that will be I really couldn't tell you.
Well not really to get attention, but to entertain, but you know to show some elements of rural life as well, it kind of blended all in, its kind of like a mockery in a sense, kind of stab back at people that have those stereotypical ideas of the south.
The public has heard the stereotypical love songs a million times, and they've heard the stereotypical life-or-death songs millions of times. It's good to mix it up a little bit.
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