A Quote by Bart Millard
I'm all into Jazz; I'm into New Orleans type music. There is country, there is southern gospel. I'm a huge southern gospel fan.
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The blues. It runs through all American music. Somebody bending the note. The other is the two-beat groove. It's in New Orleans music, it's in jazz, it's in country music, it's in gospel.
If I have to be considered any type of jazz artist, it would be New Orleans jazz because New Orleans jazz never forgot that jazz is dance music and jazz is fun. I'm more influenced by that style of jazz than anything else.
I've always had a love for music, and it developed as I learned jazz, blues, and gospel. And I performed with jazz singers in New Orleans.
I'm a big fan of gospel music, and you cannot be a fan of rock and roll, you cannot be a fan of country western music, and you can't really be a fan of jazz without listening to a lot of music that's religious.
Anybody who loves country music loves gospel. Even they are competing with the same type of problem that I'm competing with. We older artists are competing with the new style of country, with their new modern style of gospel, with the young people.
In New York, I was excited about the music in New York because the only music that I was more or less involved with in the South was either country and western or hillbilly music as we used to call it when I was a kid and, ah, gospel. There was no, there was no in between. And when I got to New York all the other musics that's in the world just came into my head whether it was the classics, jazz, I never knew what jazz was about all, had heard anything about jazz.
The way he discovered Paula White was watching Christian television and Mr. Trump has always been a huge fan. He'd always watch Christian television. He loves Southern Gospel.
The first music that came to my ear was gospel... I used to sing 'Amazing Grace' with a very strong southern accent and a vibrato already at five years old.
Presley is country music, white music. Jazz is black music - it was invented by the blacks in New Orleans. And I'm really a jazz singer. I was impressed with Elvis - he was the handsomest guy I ever met in my life, and a very nice person, too. But the music doesn't impress me.
I like health-conscious cooking, but growing up in the South, I do love southern cooking; southern France, southern Italy, southern Spain. I love southern cooking.
One of the most singular facts about the unwritten history of this country is the consummate ability with which Southern influence, Southern ideas and Southern ideals, have from the very beginning even up to the present day, dictated to and domineered over the brain and sinew of this nation.
I grew up on a farm in eastern Tennessee with a very southern lifestyle, so my roots are super country and southern, but my first concert was Britney Spears. I think that you can hear both of those influences in my music.
Southern food that appears in contemporary popular culture is so exaggerated that it's hardly recognizable to most Southerners. This enriching of Southern food - fatter, richer, more over the top - is what we typically see on TV, in Hollywood films, and in Southern-style or country-themed chains like Cracker Barrel. Southern food becomes a caricature, like characters and props in a reality TV show.
Men may not read the gospel in sealskin, or the gospel in morocco, or the gospel in cloth covers, but they can't get away from the gospel in shoe leather.
The Gospel is not a theory; the Gospel is not a philosophy or an idea; the Gospel is not a way of thinking or feeling. The Gospel is an event in history.
Jazz came out of New Orleans, and that was the forerunner of everything. You mix jazz with European rhythms, and that's rock n' roll, really. You can make the argument that it all started on the streets of New Orleans with the jazz funerals.
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