A Quote by Barun Sobti

The working standards on television in our country are really bad. The sad part is that many actors take this deal because it gets them money and recognition. — © Barun Sobti
The working standards on television in our country are really bad. The sad part is that many actors take this deal because it gets them money and recognition.
We have to stop. We have allowed so many people into our country that should not be here. We have our San Bernardinos, we have had the World Trade Centre come down because of people that should not have been in our country, and now we are supposed to take 2,000. It sends such a bad signal. You have no idea. It is such a bad thing.
When you are working with actors who are secure, who have nothing really to prove, it gets a lot easier working with them.
Working with the actors, working with production designers, working with the creative people who surround the process is really fun, it's really inspiring and I take great pleasure in working with them. That's what's most fun about directing.
Many of the greatest black athletes of all time played baseball for no money and no recognition. I'm just sorry many major league fans never got to see them play, because many of them were awesome.
When we were young people, all we ever wanted was to be good working actors. We didn't think of fame or money because, honestly, money was never part of the dream.
I've really dreamed of doing television. All of us do television, coming up. But when I was coming up, television was a black hole for actors. Now, television has a certain cache. Now everybody wants to be on TV because they're doing adult dramas. If you're an actor, it's like, "Well, get me on television," because it's the only place you can do it and also make a living at it. If my kids need shoes, I better do a TV show because I damn sure don't make any money with independent films.
Because national borders are eroding, because of the growth of non-state actors. It's a different kind of a world. We are tied down by a tiny little country - Iraq. It's amazing, given the disparity in military economic strength. It's a world where most of the big problems spill over national boundaries, and there are new kinds of actors and we're feeling our way as to how to deal with them.
The gains we made in the United States that have made our country great have, in large part, been made over the opposition of major corporations. On nearly every issue, from fair labor standards, to the minimum wage, to environmental standards, to standards for a safe workplace, corporations have fought against them every step of the way.
I certainly don't feel there's a distinction to be made between a television and a film actor. I think there's a distinction between great actors and not so great actors. But I really think if you watch a person working in television give a wonderful performance, that person is f - ing great, because there is no time.
In Bollywood, we are told exactly what to do and how to do it and not to counter things by saying there's a better way. We make our actors feel important by paying them more. But the real deal is when you let the actors take some decisions on the sets.
It's difficult because you can't generalise about these things. But in essence, you deal with children as simply as you deal with actors - you have to show a certain sort of respect. You deal with them lovingly and protect them, but if you protect them enough then they're open to engage with what you want to do with them.
I think because I've been working in front of audiences for so many years, I'm able to take in the input, good or bad, and just say, 'This is the part I agree with that you're saying, and these are the parts I don't agree with.'
I was living in London and I thought, 'There's nothing here for me anymore.' I don't want to become this actor who's going to be doing this occasional good work in the theater and then ever diminishing bad television. I thought I'd rather do bad movies than bad television because you get more money for it.
It really, truly is sad when it's over, man. To not have that regularness, that familiarity. I love working in television because of that. It's like going to see your family every day.
Making a record's really hard. You deal with the money stuff - you never have the budget you need. You're working with so many egos.
Contention, especially violence, is not the way to deal with our problems. Unfortunately, television, videos, movies, and electronic games teach otherwise. Even cartoons and many children's programs depict violence in amusing ways, suggesting that no one really gets hurt and that any disagreement can be solved by a karate kick or the use of some weapon.
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