A Quote by Bas Rutten
I love palm strikes because you have a longer reach. Normally, when you give a left hook and then a right straight, you are too close for the right straight. Why? Because the hook is shorter.
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I know people think I'm just the Diego Sanchez from the Gilbert Melendez fight. Hook, hook, hook. A crazy brawler. But I realized the best possible fighter would not get hit. He'd close the distance and minimize the chances of the lights going out. I want to fight as long as I can and be as healthy as I can.
I'm here to confuse you. Confusion is my right and left hook.
You get hit by one of those right hands or an uppercut or a left hook by Mark Hunt, then you know that **** is on and that cage is locked, and there's nowhere to go.
The hook of 'Bryson' is based on something my mom created. She used to sing it to me when I was little and feeling down. When I was a baby, she'd sing it to me, and that's pretty much the hook. That's why the song means so much to me, because I feel like if it could've uplifted me, then I know it'll uplift others.
I push myself in a lot of aspects when I write a song. I write a piece and where most people would stop and say, 'Oh, that's the hook right there,' I'll move that to the first four bars of the verse and do a new hook.
Once I have a hook I think has potential - enough to spin out more than a hundred thousand words, then I start turning my attention to characters. Who are these people? Why did this thing happen to them? But the hook always comes first.
Never make heads straight on the shoulders, but turn them aside to the right or to the left, even though they look down, or upward, or straight ahead, because it is necessary for them to look lively and awake and not asleep. And do not depict the front or rear half of the whole person so that too much straightness is displaced, one half above or below the other half; and if you should wish to use stiff figures, do so only in portraying old people.
I put together amazing records, whether that's finding the beat or putting the right hook on there, and picking the right artists on the record. That's me being an A&R. And I'm making sure that they give me their best.
Tell everyone you know: "My happiness depends on me, so you're off the hook." And then demonstrate it. Be happy, no matter what they're doing. Practice feeling good, no matter what. And before you know it, you will not give anyone else responsibility for the way you feel-and then, you'll love them all. Because the only reason you don't love them, is because you're using them as your excuse to not feel good.
He was too good to be
Where ill men were, and was the best of all
Amongst the rar'st of good ones- sitting sadly
Hearing us praise our loves of Italy
For beauty that made barren the swell'd boast
Of him that best could speak; for feature, laming
The shrine of Venus or straight-pight Minerva,
Postures beyond brief nature; for condition,
A shop of all the qualities that man
Loves woman for; besides that hook of wiving,
Fairness which strikes the eye-
CYMBELINE.
If someone is a straight jazzhead, or a straight metalhead, or straight classical, they have a very narrow range of what they allow into their lives. But the people who listen to what we put out into the world have to be open-minded. Because we're so pluralist.
The basic philosophy behind [switch putting] is you always want a hook putt. So for a left-to-right breaking putt, you're going to want to hit it left-handed and vice versa.
I don't work out too much. I just do some pushups when I feel the right hook is getting a lil weak.
The stuff that I make and the things that I talk about, you have to listen, so if the beat is doing too much, it's going to take you away. If the hook is too distracting, it's going to take you away. The hook just needs to be enough to get you from one verse to the next.
Marethyu stretched out his right hand and Aten took it in his. "Let me tell you this," the hook-handed man said. "We will meet again,you and I,in a different place and a different time." "You know this to be true?" "I do." "Because you have seen the future?" "Because I have been there.
I live right in front of my daughter. I have a little house right in front of her because I can stay in touch. It's like a little commune, and it's very nice, because you can be close. I can see my granddaughter. I live very close to my brother, too, and my son. We're a very close family.
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