A Quote by Basil Rathbone
Sometimes I just crave to play in Shakespeare again and I know and love playing Orlando so much.
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I went to a Jesuit school and they did a William Shakespeare play every year. I got to know Shakespeare as parts I wanted to play. I missed out on playing Ophelia - it was an all-boys school. The younger boys used to play the girls, I played Lady Anne in Richard III and Lady Macbeth, then Richard II and Malvolio. I just became a complete Shakespeare nut, really.
All I've learned in today's Shakespeare class is: Sometimes you have to fall in love with the wrong person just so you can find the right person. A more useful lesson would've been: Sometimes the right person doesn't love you back. Or sometimes the right person is gay. Or sometimes you just aren't the right person.
Thanks for nothing, Shakespeare.
My favorite play is Hamlet. It was my first love when it comes to Shakespeare, and I've read it and seen it performed more than just about every other Shakespeare play. I've had the "To be or not to be" monologue memorized since I was 15, and it's just really close to my heart.
I made it real clear I wanted to play in Orlando. Part of it was Shaq. But I also just liked Orlando. It's not all glitzy and reminds me of Memphis.
I just love to play music. I enjoy it more than anything. I enjoy it more than drinking with my friends in the pub. I'd much prefer to be playing live and playing the piano - playing is one of the most enjoyable things I do and I live for it. So it's very rare that I'd not be up for it. I'm very lucky to have something that I love so much; I don't know what I'd do without it.
There's more of yourself in a book than a play. that's why we know all about Dickens and not much about Shakespeare. Ben Jonson murdered people; Marlowe was a spy; Shakespeare just sat in the corner and took notes.
I really love headlining. Opening up is fun - getting to play for all these people who might not know you - but it's so much easier sometimes playing for people who know all your songs: you get that instant feedback.
I'm so appreciative of Orlando. I am Orlando. Orlando made me. So when people link my name, they link my name to Orlando and nowhere else. I'll always be indebted to Orlando for that and grateful at the same time.
At the happy ending of the Tempest, Prospero brings the kind back togeter with his son, and finds Miranda's true love and punishes the bad duke and frees Ariel and becomes a duke himself again. Everyone - except Caliban - is happy, and everyone is forgiven, and everyone is fine, and they all sail away on calm seas. Happy endings. That's how it is in Shakespeare. But Shakespeare was wrong. Sometimes there isn't a Prospero to make everything fine again. And sometimes the quality of mercy is strained.
I'm still waiting for Peter Jackson to let me play an elf. I want to play Orlando Bloom's father. No, Orlando Bloom's younger, hotter brother. I don't think it's going to happen.
I play with a lot of emotion because I'm a passionate guy, and I play with that passion. I love playing that way. Sometimes you're late onto the ball, sometimes you're not. Sometimes you make contact with the guy when you tackle him, sometimes not. It's a sport where individual duels are vital, so I don't see it as a problem.
I don’t know, I don’t know that I’m missing anything. I just think too much sometimes. Sometimes I’m even happy because I’m so engaged in the thinking. But that’s the great thing about performing, and why it is also sexual, because in that moment – or in that evening – I’m completely in the present for once in my life. Nothing that came before or anything that may come after: only what matters is now. And that’s what human beings crave.
Shakespeare is one of the reasons I've stayed an actor. Sometimes I spend full days doing Shakespeare by myself, just for the joy of reading it, saying those words... I do Shakespeare when I am feeling a certain way.
Chinese no longer crave so much for food and accommodation, but they do crave democracy. I stand by that. I don't know which model China will follow.
But just maybe sometimes being even more patient. Even though I thought I did that much better this year, and sometimes, you know, make my opponents play that one extra ball, and just knowing how to play the big points better.
I think American actors are much more intimidated by Shakespeare. I actually want to do this Shakespeare play in New York, but I think it's interesting that there's this gaping hole in the repertoire in the American theater, which is Shakespeare. It's hardly ever done, compared to how often it's done in other companies, not just Britain. Someone from the Roundabout Theater Company - I said, "You never do Shakespeare." And he said, "Yes, we're not very good at it." And I thought, "What a terrible thing to say.".
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