A Quote by Bassem Youssef
Egyptian comedy has a very, very old tradition. Our theater and our movies are just, like, amazing. And Egypt is kind of like the Hollywood of the Middle East. I mean, we had cinema maybe decades before the other Arab countries ever got independence.
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Egypt is kind of like the Hollywood of the Middle East. I mean, we had cinema maybe decades before the other Arab countries ever got independence.
Everybody grows up with comedy. I mean, Egyptian comedy has a very, very old tradition. Our theater and our movies are just, like, amazing.
I grew up watching a lot of Egyptian movies. My parents had this huge VHS collection of every Egyptian movie you can possibly imagine, and Egypt was kind of the Hollywood of the Middle East back in the '40s, '50s, and '60s. That was my first education in film.
The good thing about Egypt is, between the two World Wars, Egypt was - had a liberal society. It has a political life. It has parties. It was not - it was dysfunctional in many ways, but it was not a very repressive regime. Egypt, at one time, was the bellwether of the Arab world, was the trendsetter, created great culture, movies, cinema, you name it.
The patriarchy is alive and well in Egypt and the wider Arab world. Just because we got rid of the father of the nation in Egypt or Tunisia, Mubarak or Ben Ali, and in a number of other countries, does not mean that the father of the family does not still hold sway.
I think that what I learned then, I didn't know I was learning. I just knew that I was very privileged to see somebody who was a writer, a great poet, and very smart-faced. Suddenly Pasolini becomes a director, so he has to invent cinema. It was like watching the invention of cinema. But I found out that Pasolini taught me a lot. It was, especially, the kind of respect that he had for reality. He had kind of epiphanies in his movies, like when a moment becomes full of grace, and it is like as if it was the most important moment in the life of a character.
Good relations with Egypt are extremely important to us. Egypt is our neighbor and the largest Arab country. The people in all Muslim countries are on our side.
There's kind of a hidden point which isn't being brought out, and that is that it is inconceivable that the U.S. would permit democracy in the Middle East, and for a very simple reason. Just take a look at polls of Arab public opinion. They exist. You can't find them in the press, but they exist from prestigious polling agencies. Released by major institutions. And what they show is that if there was democracy in the Middle East, the entire U.S. program for domination of the Middle East would be down the tube.
I like to go to the movies at The Hollywood Forever Cemetery. They do this thing in The Hollywood Forever Cemetery in Hollywood where everybody sits out on the grass and they project movies and it's very romantic and very old-school Hollywood, so I love that.
The Lampoon was definitely quite formative. You know there's a crazy like kind of network of comedy writers from The Lampoon that are, that kind of you know like Seinfeld and The Simpsons and a lot of shows kind of had a lot of kind of Lampoon writers and so that was very formative. I mean, to me I got interested in comedy writing at an early like reading like Dave Barry.
A legacy that powerful does not disappear. Next to the Egyptians, the Greeks and Romans were babies. Our modern nations like Great Britain and America? Blinks of an eye...The very oldest root of civilization, at least of Western civilization, is Egypt. Look at the pyramid on the dollar bill. Look at the Washington Monument—the world’s largest Egyptian obelisk. Egypt is still.......very much alive.
I think what I loved in cinema - and what I mean by cinema is not just films, but proper, classical cinema - are the extraordinary moments that can occur on screen. At the same time, I do feel that cinema and theater feed each other. I feel like you can do close-up on stage and you can do something very bold and highly characterized - and, dare I say, theatrical - on camera. I think the cameras and the viewpoints shift depending on the intensity and integrity of your intention and focus on that.
You have to consider that countries have now joined the EU that had no sovereignty for decades, countries like Poland, or others that weren't even countries, like the Baltic states. Independence is especially important for these states.
I had begun my professional career when I was 9 years old at the Cleveland Play House, and it was a very specific, real theater sort of like, you know, in England and the Berliner Ensemble - very devoted people. And I thought the theater was the greatest place I had ever been, and that's what I wanted to do.
Happiness, sadness, being mean and being nice. They're all very close to one another. My goal in my career is to do movies that are both... I hate when people say is it a comedy or a drama? My favorite movies are kind of both. Just like life, one day you're not crying all day, one day you're not laughing all day. I like to play characters that have that kind of balance, too.
Without a doubt, I was born to want to make cinema, but the kind of cinema I want to make is not like commercial movies, which I enjoy myself, but I wanted to be the kind of filmmaker who wrote original work, sort of like a novelist would who deals with who we are and our times or our relationships.
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