A Quote by Bat for Lashes

David Bowie worked with Brian Eno and dressed up in extraordinary clothes, but he was also a brilliant songwriter who captured the thoughts of a generation. He was hugely successful, without compromise.
Technology was changing just as we were getting started. You had these records by people like David Bowie and Talking Heads and Brian Eno that took production into a whole new direction. That really influenced us, and pushed us to find that early sound we had.
Brian Eno is an iconic and omnipresent pioneer in the world of ambient music, but he's gained real staying power while working behind the boards. He's produced albums for some of modern music's most influential artists, including Devo, David Bowie, U2, Coldplay, Peter Gabriel and Talking Heads.
I am a big Brian Eno fan - the first few Brian Eno records are just absolute gibberish and he came up with a lot of lyrics by writing down loads and loads of random sentences and streams, and I find meaning in that music, even though he'd probably say it's absolute gibberish.
Imagine if every airport would blast Brian Eno. I bet going through security wouldn't be as difficult. I can't imagine someone being aggressive with me with Brian Eno music pumping through the terminals at LAX.
If you took a couple of David Bowies and stuck one of the David Bowies on the top of the other David Bowie, then attached another David Bowie to the end of each of the arms of the upper of the first two David Bowies and wrapped the whole business up in a dirty beach robe you would then have something which didn't exactly look like John Watson, but which those who knew him would find hauntingly familiar.
As a songwriter, I was influenced by David Bowie - a great writer. A class above everybody in so many ways. Lennon and McCartney, of course. Class stuff. David Cousins was my favorite lyricist.
I was in L.A. with my wife in a restaurant, and I spotted my great hero David Bowie at another table. Of course I wasn't going to bother him. Then I felt a tap on my shoulder, and it was Bowie, and he squatted down to talk to me. David Bowie came down to my level - so gentlemanly.
David Bowie used to cover loads of people, and there was an element of "David Bowie did it, so we wanted to do it," because we're kind of obsessed [with him].
I'm no Robert Christgau or Chuck Klosterman, but I would say that Landlady is like if Harry Nilsson was produced by Brian Eno. Or, if David Byrne fronted Wilco. Those are my two hoity-toity musical epigrams.
David Simon is a brilliant writer, brilliant at being able to take what is ordinary and make it extraordinary.
I grew up and I've worked with people who have been very present, a) either always jumping to whatever is most modern technologically advanced sort of thing, or b) people in this industry, like Kevin Smith, who, his communication with his fans is hugely connected to his success. And he was talking about that years ago. And David Bowie was doing that years ago. And Prince was doing that years ago.
David Bowie really played with ideas, and iconography and imagery. He's brilliant man. And a gentleman, too.
I am impressed by the way Annie Kevans captured the different types of beauties that have been my inspiration and my muses from my grandmother to artists like David Bowie and Boy George.
David Bowie's music is a moving target. Just when you think you got the bullseye, it shifts. And to his credit, on to death, it's still shifting. David Bowie is a moving target, even after he's gone.
When you're dressed up as David Bowie, with your eyebrows completely bleached, and you're doing this kind of strange dance with Paul McCartney while singing "Rebel Rebel" in the middle of the Met ball, and Madonna's looking at you . . . I was just thinking, It's become a bit weird.
As a teenager I was crazy about David Bowie. He was a huge inspiration for me. I dressed a little bit crazily in school and dyed my hair every colour under the sun.
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