A Quote by Bat for Lashes
I'm not really frightened by experimenting - that's the main thing. I really like mixing very old beautiful pieces that are from thrift shops or that have some historical value with quite new futuristic things.
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It's very much to do with how I'm feeling ... I love to be experimental and use eclectic mismatched things and put them together to see what third entity is created! I'm not really frightened by experimenting - that's the main thing. I really like mixing very old beautiful pieces that are from thrift shops or that have some historical value with quite new futuristic things.
Some of my favorite pieces are from thrift shops. When I find something I really love, I live, work and sleep in it.
The main thing to understand about the current state of physics is that we have - are in some sense, a kind of victim of our own success. We have an incredibly successful theory called the Standard Model. And it really explains everything that we can observe about and in terms of a very small number of elementary particles and some basic forces between them. And it's a quite beautiful theory and it really is just absurdly successful.
I really love beautiful, well-made clothes. I don't shop [a lot], so I tend to have pieces for a long time. I like mixing vintage with newer designers.
I think it's really important for actors to add some shock value to whatever they do. I think the audience gets bored very easily, and it's really important to keep experimenting.
Some really good things kind of swing both ways and I like to see people that can swing really, really, really sad and horrible and terrible and really, really, really beautiful and funny.
A guitar can be so human, so sorrowful, so angry, and I wanted to figure out how to achieve that vibe without having to actually use guitars, because 'Badlands' is a very futuristic record - and making it that in an era of futuristic music is a really hard thing to do!
I find some really cool, unique stuff in vintage shops. The good thing about vintage if that it doesn't quite fit you can customise it, like, make it shorter. The shorter the better!
I liked how 'Star Wars' felt both old and new. I even built a model of R2-D2, taking about two months mixing two kits to make one that looked just like the real thing. I'm the kind of person who gets really into it when I do something like that.
I try to be as optimistic as I can. I feel like that's the beautiful thing about art and music. It can take you places, and they can be a positive influence. A very soothing influence. Honestly, I feel like there's enough pain and terrible things that happen in life. That's beautiful thing in art, you can really idealize things.
The main thing for me is I really like strong endings. If there's a strong ending, you can take more time in the beginning, your first act can be really quite different.
I guess I don't really know any other way to do it, it just feels like the natural way to do things for me. Like - if I'm writing a song - it has to have some sort of value. Or it only has some kind of value to me, if it's something really personal. It has to mean something to me. I guess it is a little uncomfortable, or it's a little embarrassing sometimes, to know that stuff that honest is out there. But, when I hand off the thing, when it's totally done and mastered and sent, I kinda feel like it doesn't belong to me anymore.
There's nothing like a deadline to get the old blood flowing. All the juices, really. It doesn't follow, if you think about it. You'd assume certain things ... certain activities ... would become unimportant. Certain betrayals would become unbearable. But they don't really. In fact, quite the opposite. Everything takes on a new light. The impossible becomes possible, desirable even. It's quite remarkable.
Okay, are you really 'experimenting'? How do you know if you're really experimenting? You're working on it methodically and you're publishing the results! It's not an experiment if you don't publish the results in some verifiable and falsifiable form, okay?
I love old architecture. I love collecting furniture, mixing really earthy things with the very polished. I don't come from an interiors background, so I'm not an expert. I just enjoy going to antiques shows and finding interesting things.
I love chess, and I didn't invent Fischerandom chess to destroy chess. I invented Fischerandom chess to keep chess going. Because I consider the old chess is dying, it really is dead. A lot of people have come up with other rules of chess-type games, with 10x8 boards, new pieces, and all kinds of things. I'm really not interested in that. I want to keep the old chess flavor. I want to keep the old chess game. But just making a change so the starting positions are mixed, so it's not degenerated down to memorisation and prearrangement like it is today.
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