A Quote by Bea Miller
I literally have a song about how bored I was and it's actually a really cool song that's interesting because I created something out of nothing.
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The interesting thing about a song like 'Bulletproof Heart' - it was [originally] called 'Trans Am' - the interesting thing about the amalgamation of that song was that the song also lived within us, like we all got to live with the song and it was around for about a year before we recorded it again, so the song got to really transform, which you don't really get to do.
I love the song 'El Rey.' And for years, I never knew what the song was totally about. It was something new for me. I'd never sung a song in Spanish before. Then I got the translation and saw what a really cool song it was.
I actually admire the Indian artiste 'Lost Stories.' He made a remix of my song 'Faded.' That is really good and cool because it actually represented Indian music. I just loved the song; it so unique.
What's really cool about 'This is Me' is that our friends loved the song. Older punk rock fans don't know 'The Greatest Showman,' haven't seen the movie. And they hear that song and they're like, 'This just sounds like an awesome New Found Glory song. This is a really good song.'
When you get to say something in a song you're not directing it necessarily at one person. When it's in a song it's easier to get it out. I don't really worry so much about it when I'm writing a song.
I literally post swing videos. Like, how is that interesting? But I've created such a following, and they're loyal fans. It's really cool to create a community around something I love, and that they love, too.
The first song I learned on the guitar was a Kenny Chesney song called 'What I Need to Do'; it was just an easy song to play... and it was really cool to see that come full-circle a few years later and have him record a song that I was part of.
The pause makes you think the song will end. And then the song isn't really over, so you're relieved. But then the song does actually end, because every song ends, obviously, and THAT. TIME. THE. END. IS. FOR. REAL.
Often the 'lead' of a classical song will have something really cool to its melody that - even though it might be a violin or something doing it in the song - I end up wanting to try something like that with my voice.
A song like 'Heartbreaker,' it's a song about learning - it's not necessarily a song about heartbreak. It's more than that. We write those songs to relive how we got over something.
If I'm not writing about myself, then I sit down with people I really dig writing with and throw 'em out and see if something sticks. Their brain plus mine hopefully will make something interesting and cool and it will just snowball and we'll have a unique song by the end of it.
'Jurassic' is a legacy and a classic. Steven Spielberg created something pretty spectacular. It's actually really interesting, when I look at it, I ask, 'How has my life changed since being Lex?' And I can literally walk into just about any city in the world and people will know who I am.
'You'll Accomp'ny Me' is a song I've always really cherished. The guy in that song is just so courageous. He's saying this to the girl, 'I know you've got to go do your thing, but eventually, we'll be together. I feel that strong, and I know it in my soul.' And there's something really cool about that.
I don't want to just go out and do song to song to song. I like to create things before the song actually kicks in, little things you do to excite the crowd.
I'm not that type of musician where I can sit down at the piano and work out a song; I actually really enjoy that process of sitting with somebody and having nothing and then suddenly something starts appearing. You struggle with it, and then suddenly a song starts to appear. Then, you've got to try and muscle it - there's that word again - into something and you do. You tussle with it and play with it and roll around with it and suddenly, magically, something appears.
It's so interesting how you can take a bad situation and make a great song out of it that somebody else can listen to and have a completely different perspective of the song and have their own meaning. That's what's great about it.
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