A Quote by Bea Miller
I was almost teaching myself through writing without even realizing it. It's like therapy. You can hear my progression as a person and how much happier I became, which is really cool for me to hear because I'm proud of myself.
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It's really cool to hear your stuff in things like TV shows. It's a pretty cool feeling to hear what you did in the studio and then to hear it in places like that. It's definitely surreal.
I just write about what makes me sad, and then when I write, I hear myself. It's like therapy, where I write something sad and then I make it happier or hopeful.
One-hundred percent, even now I doubt myself. I don't understand what people hear in my voice. I can't hear it myself, if you know what I mean.
Even now I doubt myself. I don't understand what people hear in my voice. I can't hear it myself, if you know what I mean.
I hear the words, the thoughts, the feeling tones, the personal meaning, even the meaning that is below the conscious intent of the speaker. Sometimes too, in a message which superficially is not very important, I hear a deep human cry that lies buried and unknown far below the surface of the person.
So I have learned to ask myself, can I hear the sounds and sense the shape of this other person's inner world? Can I resonate to what he is saying so deeply that I sense the meanings he is afraid of, yet would like to communicate, as well as those he knows?
I wrote myself back together. I wrote myself toward a stronger version of myself . . . Through writing and feminism, I also found that if I was a little bit brave, another woman might hear me and see me and recognize that none of us are the nothing the world tries to tell us we are.
It is a really interesting to hear yourself on the radio. I've gotten to hear myself in different capacities. I've heard myself on Sirius XM on the bluegrass channels, and on WSM and other places.
The way I view touring and shows, for me, is that I really like playing, but that's not the thing that fuels me. I am much happier writing and recording. For me, performing is exclusively for other people. I let people write me to tell me what they want to hear. I'll play any of it.
There's a part of me which has always wanted to hear a man say, "Let me take care of you forever," and I have never heard it spoken before. Over the last few years, I'd given up looking for that person, learned how to say this heartening sentence to myself, especially in times of fear. But to hear it from someone else now, from someone who is speaking sincerely.
Singing for stage, if you don't hear yourself, that's when you push, and that's when you can hurt your voice sometimes. So if I can hear myself in my ear, it really helps me to find that balance of how loud I needed to be singing.
I came to nonfiction through journalism. My first book was journalism, and it was so frustrating to me, while I was writing it, that I wasn't capturing the moments the way they were when I lived them; I was filtering and re-filtering. I had to come to terms with the fact that I couldn't and shouldn't claim authenticity. Then, when the book was published and I gave readings, I'd hear myself read and it was like I was eavesdropping on a dream - even with myself as the narrator. I knew that guy but couldn't exactly recognize him.
I hear from a lot of young women, you know, I don't want to call myself a feminist because I don't want to get in an argument with someone. And it's just not cool; like it's not a cool thing to be associated with.
I remember in junior high school, which is what we called it, suddenly I was looking at myself, almost through other people's eyes, and thought: how does the world see me? So that was one of the things I was really interested in, when I was writing Goodbye Stranger.
I found that I was much more interested in writing and that I didn't like the illustrating at all. I had always been the hardest on myself when I drew and painted. I am not hard on myself when I write. I like what I write, so it is a much happier process.
Most people don't take some things into consideration. When they hear an album, they hear the artist or they hear the lyric or they hear the melody. But they don't really think about the environment in which it was recorded, which is so important. It's that thing that determines what the album sounds like.
I used to be pretty hard on myself, like, if I didn't like a haircut I did on someone, I would think about it a lot and second-guess myself. But after therapy and a lot of work, I know how to dust myself off a lot faster, and those things don't knock me down as much as they used to.
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