A Quote by Beah Richards

Having grown up in a racist culture where 2 and 2 are not 5, I have found life to be incredibly theatrical and theater to be profoundly lifeless. — © Beah Richards
Having grown up in a racist culture where 2 and 2 are not 5, I have found life to be incredibly theatrical and theater to be profoundly lifeless.
Being fired for bad performance or for having an alter ego that posts incredibly racist stuff is not cancel culture.
I think, having grown up with the Internet, things like trolls and the world of having an online life as well as a physical one, it's something I've grown up with.
Growing up, I started to realize I was surrounded by people who were passionately alive. Seventh Street felt raw, but I found it incredibly theatrical.
Having grown up in the theater family, having done a huge amount of acting from a very little boy to precocious teenager in Shakespeare festivals that my father produced, I went off to college and fell in with the theater gang. I was already an experienced actor. I became a kind of campus star. I heard all this applause and laughter.
I love the immediacy of an audience being there and reacting. I'm spoiled, having grown up in theater.
The first rock stars were incredibly theatrical. Little Richard and Chuck Berry and Elvis Presley - they were theater artists.
Having grown up around the theater, I've been moved by so many plays. Being a part of it, however small, is special.
I had grown up working in a video store, and I'd grown up more with film than I had with theater, so I kind of felt a natural call.
My mom started working at the California Shakespeare Theater in Oakland when I was two years old, so I've always grown up around theater.
I grew up in an affluent suburban world and never worried about money until I'd grown up and found wonderfully original ways to screw up my life.
Following graduation from high school in 1948, I attended Harvard University where I became a physics major. Having grown up in a small town, I found Harvard to be an enormously enriching experience. Students in my class came from all walks of life and from a great variety of geographical locations.
How many thorns of human nature - hard, sharp, lifeless protuberances that tear and wound us, narrow prejudices, bristling conceits that repel and disgust us - are arrested developments, calcified tendencies, buds of promise that should have lifted a branch up into the sunny day with fruit; and flowers to delight the heart of men, but now all grown hard, petrified, for want of culture and a congenial soil and climate.
Although one may fail to find happiness in theatrical life, one never wishes to give it up after having once tasted its fruits.
I'd grown up doing children's theater there, and I always imagined myself being artistic director of a children's theater company.
My taste comes from when I was 12 years old and saw Genesis or Laurie Anderson or some performance artist who had put paint on himself. I've seen a lot of theater, but that's not what woke up my taste to become a director; nontheatrical things were much more theatrical than the theater I was seeing.
It's easy to get a theatrical release that shows in one theater for a week. But there's no advertising, and no one sees the movie. It's hard to get a real theatrical release. The distribution of independent films is, to me, extraordinarily frustrating.
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