A Quote by Beat Streuli
I like to be flexible in the way I take pictures. I do not use a tripod, and I move around in the crowd, of which I am myself part.... I try to preserve the dynamics of the street, and my way of using the camera tries to approximate as much as possible the way we see: focusing on details, opening up to wider angles, and composing all these very short, fragmented impressions into a larger mental picture.
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Believing that war is contrary to the will of God and to common sense, and feeling that the way of peace is the way of love, I shall work for peace by using the way of love myself, by helping any group I am part of to use it, by helping the nation of which I am a citizen to use it, by helping the United Nations to use it, and by praying that the way of love be used all over the world.
At first, when I did everything myself, I'd set up a tripod, film and then press stop. That's why all my shots are on a tripod and don't move, and that's why my videos are still filmed this way.
You should never use the camera to make your pictures. You use yourself, your experience to make the picture with the camera. Not the other way around.
I see pictures of myself BB - before Botox - and I see the ones after and I am happy. I am on television 1,500 times a year and it is a very small way, and a safe way, of looking a little bit better than I used to.
The education of youth belongs to the priests, yet they do not take so much care of instructing them in letters, as in forming their minds and manners aright; they use all possible methods to infuse, very early, into the tender and flexible minds of children, such opinions as are both good in themselves and will be useful to their country, for when deep impressions of these things are made at that age, they follow men through the whole course of their lives, and conduce much to preserve the peace of the government, which suffers by nothing more than by vices that rise out of ill opinions.
I arrived at my way of "working" as a way of visually approximating what I feel the tone of fiction to be in prose versus the tone one might use to write biography; I would never do a biographical story using the deliberately synthetic way of cartooning I use to write fiction. I try to use the rules of typography to govern the way that I "draw," which keeps me at a sensible distance from the story as well as being a visual analog to the way we remember and conceptualize the world.
The time is a thing; you don't have so much time. A good trick is to try and think about a way to use material from one occupation for the other. It's like going through working a day job, this is so dumb to say, but you know how Julian Schnabel made those crockery paintings while he was working as a short-order cook? It's like that, using what is around, transforming that to create meaning and make art. Trying to take nothing and make... something.
The first time I worked with colors was by making these mosaics of Pantone swatches. They end up being very large pictures, and I photographed with a very large camera - an 8x10 camera. So you can see the surface of every single swatch - like in this picture of Chuck Close. And you have to walk very far to be able to see it.
To know the way, we go the way, we do the way. The way we do, the things we do, it's all there in front of you. But if you try too hard to see it, you'll only become confused. I am me and you are you. As you can see; but when you do the things that you can do, you will find the way. The way will follow you.
One time the power went out in my house and I had to use the flash on my camera to see my way around. I made a sandwich and took fifty pictures of my face. The neighbors thought there was lightning in my house.
It's a hard job to get the camera to see it like you see it. Sometimes you have it just the way you want it, and then you look in the camera and you don't have the balance. The main thing is to get the camera to see it the way you see it.
When I got the camera on the shoulder, they give me a nickname. They call me 'the tripod' because I'm kind of short and kind of strong. So if I take the camera and I lock myself, you think that you're on a crane.
There's a way of playing safe, there's a way of using tricks and there's the way I like to play which is dangerously where you're going to take a chance on making mistakes in order to create something you haven't created before.
When I am in Egypt, I am phoned because I am listed in the medical directory under "Mental Health and Psychiatry." And of course, I see very few people, because I give much more time to writing. So I cannot say that I really stopped medicine, but I practice medicine - or psychiatry - in a very different way. In an artistic way!
The music I'm playing now is the music I always imagined myself playing when I was a kid. It's been nice to use my instrument a bit more - play the guitar in a more fun way with riffs and stuff like that - rather than just propping up a whole song with a guitar and my vocals. There's so much more energy in the crowd as well; they've been bouncing around and having fun, and it's nice to feel like you're a part of something in a room rather than just performing for a crowd.
I invented a camera that has an exposure time of one hundred years and the camera works in the simplest possible terms, because anything more complicated is more likely to break down in one way or another. It's a pinhole camera that lets in very low light and instead of exposing film, which is going to spoil within a matter of days or weeks, I'm using ordinary black paper.
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