A Quote by Beatrice Dalle

There are no rebels in the cinema business. — © Beatrice Dalle
There are no rebels in the cinema business.
We should not forget that our tradition is one of protest and revolt, and it is stultifying to celebrate the rebels of the past ... while we silence the rebels of the present.
I was a complete anomaly in this business. I didn't fit into the Hema Malini-Zeenat Aman commercial cinema mould, neither the Shabana Azmi-Smita Patil art cinema mould.
It is a quaint comment on the notion that the English are practical and the French merely visionary, that we were rebels in arts while they were rebels in arms.
The business community wants remarkable advertising, but turns a cold shoulder to the kind of people who can produce it. That is why most advertisements are so infernally dull.... our business needs massive transfusions of talent. And talent, I believe, is most likely to be found among nonconformists, dissenters, and rebels.
When Ronald Reagan was elected president for his first term in 1980, he received strong support from the so-called Sagebrush Rebels. The Rebels wanted lands owned by the federal government to be transferred to state governments.
Just look at the cinema itself: It's comprised of lots of movies about graphic novels, and if you're not 20 years old and wearing a cape and a mask and white, you're out of business. Today's cinema is a proliferation of comedies, which are in some ways creating caricature images. They're one-dimensional.
We have Islamic rebels [in Syria] who've been eating the hearts or organs of their enemies. We have priests that have been killed. We have Christian villages that have been razed by Islamic rebels. We have Islamic rebels who say they don't recognize Israel and would just as soon attack Israel as [Bashar] Assad. So really, I see no clear-cut American interest, and I'm afraid that sometimes things unravel, and the situation could become less stable and not more stable.
Cinema is not about format, and it's not about venue. Cinema is an approach. Cinema is a state of mind on the part of the filmmaker. I've seen commercials that have cinema in them, and I've seen Oscar-winning movies that don't. I'm fine with this.
We keep hearing from [Barack] Obama and Hillary Clinton and Washington Republicans that they're searching for these mythical moderate rebels. It's like a purple unicorn. They never exist. These moderate rebels end up being jihadists.
My sense of cinema improved slowly as I started watching South cinema, got to know that cinema is much appreciated here.
The people are forbidden to give aid and comfort to rebels. What of a government that has the power to cut off from aid and comfort all the rebels of the South and fails to exercise it?
He that rebels against reason is a real rebel, but he that in defence of reason rebels against tyranny has a better title to Defender of the Faith, than George the Third.
Film is pop art. It's not whether it's auteur cinema or not; that's a false distinction. Cinema is cinema.
My cinema - the '50s, '60s - is different from the cinema today so I thought that it would not be bad to show that kind of cinema where we could dream.
What I'm really trying to do is recreate classic Hollywood cinema and classic genre cinema from a woman's point of view. Because most cinema is really made for men, how can you create cinema that's for women without having it be relegated to a ghetto of "chick flick" or something like that?
There is more to Indian cinema than just Bollywood. I think regional cinema, especially Tamil and Marathi cinema, are exploring some really bold themes.
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