A Quote by Beatrice Warde
Set a page in Fournier against another in Caslon and another in Plantin and it is as if you heard three different people delivering the same discourse - each with impeccable pronunciation and clarity, yet each through the medium of a different personality.
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Each one of us is an individual, just like talk show hosts are different from one another, and newspaper columnists are different from each other. So, former presidents are different from each other, too. Some have gone into relative seclusion. Some have decided to teach.
For when we say that what is different is different, we affirm that what is different is the same as itself. For what is different can be different only through the Absolute Same, through which all that is is both the same as itself and other than another.
In this world, time has three dimensions, like space. Just as an object may move in three perpendicular directions, corresponding to horizontal, vertical, and longitudinal, so an object may participate in three perpendicular futures. Each future moves in a different direction of time. Each future is real. At every point of decision, the world splits into three worlds, each with the same people, but different fates for those people. In time, there are an infinity of worlds.
Now, the language that had grown up and formed itself on those principles is what one is dealing with, and the problem is to bring a work of art in that medium into another medium formed on different principles and heard and understood in a different way.
Each environment is different, each job is different, and each realm of creativity that they give you is different. You try to do the best you can and put as much time into it as you can, but different jobs have different circumstances come about.
I don't want everybody to try to sound like something; I think that God has given us each unique talents and passions. The things that come out of me will be different than my neighbor, because I have a totally different set of relationships, totally different set influences and personality traits.
I am lucky to have three daughters who are completely different. I look at my daughters and I have different relationships with all three and there are parts of each personality that are very special.
A single kind of red cell is supposed to have an enormous number of different substances on it, and in the same way there are substances in the serum to react with many different animal cells. In addition, the substances which match each kind of cell are different in each kind of serum. The number of hypothetical different substances postulated makes this conception so uneconomical that the question must be asked whether it is the only one possible. ... We ourselves hold that another, simpler, explanation is possible.
I have a set of images that go around the world in an art gallery installation. Each of them have different audiences, and they kind of each elucidate the subject in a slightly different way, and they ping off of each other.
Each season and each team is different. It takes on a different personality every year.
As different as we are from one another, as unique as each one of us is, we are much more the same than we are different. That may be the most essential message of all, as we help our children grow toward being caring, compassionate, and charitable adults.
There are so many different kinds of people in America, with so many different boiling points, that we don't know how to fight with each other. The set piece that shapes and contains quarrels in homogeneous countries does not exist here. The Frenchman is an expert on the precise gradations of espèce de and the Italian knows exactly when to introduce the subject of his other's grave, but no American can be sure how or when another will react, so we zap each other with friendliness to neutralize potentially dangerous situations.
Only through the medium of the public physical world can the mind of one person make a difference to the mind of another. The mind is in its own place and in each of us lies an inner life, the life of a ghostly Robinson Crusoe. People can see, hear, and jolt one another's bodies, but they are irremediably blind and deaf to the workings of one another's minds
I don't really look at the skillset of being an actor as different in each medium. It asks a different thing of you as an actor, but for me, I draw upon the same skillset. It's just a different tuning of your tools as to who you're doing it for, whether you're doing it for an intimate camera or an audience of 2,000 people.
Books are frozen voices, in the same way that musical scores are frozen music. The score is a way of transmitting the music to someone who can play it, releasing it into the air where it can once more be heard. And the black alphabet marks on the page represent words that were once spoken, if only in the writer's head. They lie there inert until a reader comes along and transforms the letters into living sounds. The reader is the musician of the book: each reader may read the same text, just as each violinist plays the same piece, but each interpretation is different.
Man has no individual 'I'. But there are, instead, hundreds and thousands of separate small 'I's, very often entirely unknown to one another, never coming into contact, or, on the contrary, hostile to each other, mutually exclusive and incompatible. Each minute, each moment, man is saying or thinking, 'I'. And each time his 'I' is different. Just now it was a thought, now it is a desire, now a sensation, now another thought, and so on, endlessly. Man is a plurality. Man's name is legion.
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