A Quote by Beatrice Wood

First of all, I'd like to say here the fact that I'm not naturally a craftsman has made me work very hard. — © Beatrice Wood
First of all, I'd like to say here the fact that I'm not naturally a craftsman has made me work very hard.
The fact that I fell into this seemed more like a stroke of good fortune than hard work. Not to say that I didn't work hard, but it wasn't like, "I'm going to be a musician."
My dad worked very hard for the money he made, and my mom worked very hard to keep this household up and running and all the kids fed and everything. And she did it in a brilliant fashion. They both did. In fact, the work ethic, to me, is so important in this life.
To be recognized for your hard work is a true honor. An Academy Award nomination is one thing that, five years later, I can't form a sentence about. It has not made me feel like I can work any less hard. It makes me feel like I have to work 100 times as hard, to even be as remotely good, to work through an experience that could take me through that again.
It was hard when my mother left us. I said to myself: 'You must keep working hard for her.' She was a teacher, a big influence. She made me work harder. So when I'm not doing something right or when I'm not playing or working hard enough, I remember what she used to say to me. She gets me moving. She pushed me to work hard.
I think writers can get a little melodramatic sometimes about their work, and it helps me not to do that, to just say, "Well, this is how I make a living, and I need to become a very good craftsman."
One is always seeking the touchstone that will dissolve one's deficiencies as a person and as a craftsman. And one is always bumping up against the fact that there is none except hard work, concentration, and continued application.
It made me feel that I had to work very hard, but I've always felt I had to work very hard to get my own approval.
A lot of work was done with one of my best friends and editor, Spencer Averick, who's edited everything I've ever made from the very, very first documentaries; the very, very first films I made were docs, so we learned the form together.
The level of competition on 'Iron Chef' was very intense. In fact, I feel like the show provides chefs with a stamp of approval and in many ways lets them know that 'they've arrived.' It was a tough journey, to say the least, but in the end, it provided me with an example how hard work and persistence pays off.
I'm just one gigantic ball of rancid fear and self-consciousness. I'm entirely fueled by fear, so the fact that I knew it could be a catastrophic disaster made me unable to sleep, and made me work quite hard.
No. Not yet. A craftsman only. But I dream to be an artist. I pray that someday, if I work with enough care, if I am very very lucky, I will make a weapon that is a work of art. Call me an artist then, and I will answer.
I don't like to be called a symbol. And I don't like to be called an icon. I will just say that I have to work very, very hard. So I'd rather be known as a hard worker. I don't think symbols do much, nor icons.
I work really hard, and muscles don't come naturally for me, so I like to show my progress and encourage others.
People keep saying that I'm lucky to be naturally funny, that I don't have to work at it. They are wrong. I work very hard.
It's hard to pin down what the politics would be, in a way. For me the politics are very visual and felt, thought, seen, but not necessarily put into words. The confusions and conditions within the work are the politics. The fact that a lot of the time the first thing people want to talk to me about is the racial angle, which is a part of the work and I am happy to talk about it, but it's not necessarily the first thing on my mind when I am making something.
Hard work and only hard work has paid off for me. Being a very small industry, hard work is a must. It has worked wonders for me most of the time.
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