A Quote by Beatrice Wood
And then, of course, most potters, they go in for earth tones and subdued things, and I like color.
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I personally wear a lot of earth tones - does that make me boring? I don't know. I do like a pop of color, like red shoes or a bright orange jacket.
A piece of drapery is like a necktie, hot stuff to paint, and one of the easiest things for a painter to kid himself into thinking he can do. Don't be fooled by the color. Go after the shape and character. Hew the forms together with colored tones.
I love earth tones, jewel tones and everything that is natural. I also like natural materials like cottons, silks... I don't like synthetic. Even the wood we use has to be authentic.
One of the color combos that I really love is the tones of technicolor, which older movies would have, these tones of blue and red in them.
I'm a minimalist: For a day look, I like earth tones,and at night I go with kohl and a smudgy black eye.
I like kind of natural, woodsy earth tones. I like patchouli. I like tobacco. I like sandalwood. I like tree resin. I'm not a huge fan of citrus - I like things that are kind of moodier and... more deeper base notes.
I really like black. I love wearing black, different aesthetics and shades. I like earth tones. Those are my go-tos.
The fact is, that of all God's gifts to the sight of man, color, is the holiest, the most divine, the most solemn. We speak rashly of gay color and sad color, for color cannot at once be good and gay. All good color is in some degree pensive, the loveliest is melancholy, and the purest and most thoughtful minds are those which love color the most.
If I could go back to a point in history to try to get things to come out differently, I would go back and tell moses to go up the mountain again and get the other tablet. Because the Ten Commandments just tell us what we are supped to do with one another, not a word about our relationship to the earth. Genesis starts with these commands: multiply, replenish the earth, and subdue it. We have multiplied very well, we have replenished our populations very well, we have subdued it all too well, and we don't have any other instruction.
I love the tones of browns and grays - I love more neutral tones. That's why I like going to the desert and working in the desert. I find that green trees and things like that have a tendency to lock us into a certain way of seeing.
Friends of Bernard's [Leach] came to visit, and when we went to London, we were given introductions to people like Lucie Rie, Hans Coper, Richard Batram. All these people were, let's say, made available to us by a friendship with Leach. In addition there was a potter's group - what was it called? I think it was called the Cornish Potters Society, but I'm not sure of that. Anyway, they had meetings and we would go with Leach to these meetings and meet other potters, and they would have programs where they would discuss pottery and people would interchange ideas.
A lot of people thought oh, we caught the dictionary in racism, or all it takes is a whole bunch of people saying that a word is bad for the dictionary to change it. That's not the case. For nude, things that are called nude color, that color palate has broadened very recently, in the last maybe seven to 10 years, and now covers all skin tones.
I can’t understand it when people say they don’t like a particular color. . . . How on earth can you not like a color?
For many years, I have been moved by the blue at the far edge of what can be seen, that color of horizons, of remote mountain ranges, of anything far away. The color of that distance is the color of an emotion, the color of solitude and of desire, the color of there seen from here, the color of where you are not. And the color of where you can never go.
Be humble about it. Paint the color tones as they come against each other, and make them sing, vibrate. Don't ask me to look at those self-satisfied, pretty things.
Truly color is vice! Of course, it can be, and has the right to be one of the finest virtues. Controlled by the strong hand and careful guidance of her Master drawing, color is a splendid Mistress, with a mate worthy of herself, her lover, but her Master likewise, the most magnificent Mistress possible, and the result is evident in all the glorious things that spring from their union.
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