A Quote by Beau Bokan
Fans these days seem to almost expect a response from band-members any time they tweet or leave a comment etc.
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I tweet, Facebook, website, but guess what? Do I look at any response? Have I ever looked at a response? I wouldn't know how to get in.
A great deal of my mail comes from fans of the 'Oz' picture - fans of all ages. The scholarly, the curious, the disbelievers write and ask how? why? when? what for? did you fly? melt? scream? cackle? appear? disappear? produce? sky-write? deal with monkeys? etc., etc., etc.
I think social media really is a great tool. It fascinates me when I tweet something and right away you get a response almost immediately.
People don't seem to care about convictions any more. When I was a teenager, the deal was that, y'know, you had a band that you were really loyal towards, almost to a fault, and you stayed really loyal to that band. That was the whole thing, that was such a big deal.
You know, if a band on a label sold a few hundred thousand copies of their record these days, they wouldn't make any money. But if a band can pump out 10 million copies of a record for free, and 50,000 of those fans come to the band's website to watch pay-per-view videos or buy a t-shirt, that's roughly $10 million in revenue per year.
With acting, the response is usually delayed and takes time, unlike with singing, from where I instantly get fans' response.
I love Twitter. My favorite thing to do these days is to Tweet things that seem very questionable as to whether I’m joking or not.
I love Twitter. My favorite thing to do these days is to tweet things that seem very questionable as to whether I'm joking or not.
[You write out of the] desire to seem clever, to be talked about, to be remembered after death, etc., etc., etc. It is humbug to pretend this is not a motive and a strong one.
Social networking, I believe, has completely changed the relationship between band-members and fans.
Communication between band-mates is imperative. Communication is the key to any healthy relationship. If I need to be checked, I expect to hear it put in plain words what my faults are, and give my band-mates the ultimate consideration by shutting up and listening, then acting on the advice given. Same goes for anyone else in any band.
Keeping fans loyal is a delicate balance. Therein lies the challenge for any band that's more than a couple albums deep. It's like, how do you continue to make records that are representative of who you are that your fans will recognize as your band, while still trying to push things forward and present new sounds for people.
I understand people who say, 'There is no Queen without Freddie. Just leave it be.' Because that's what we felt, following his death. All three of us said, 'Right, that's the end of the band.' But the band just didn't seem to die.
I do not want and will not take a royalty on any record I record. I think paying a royalty to a producer or engineer is ethically indefensible. The band write the songs. The band play the music. It's the band's fans who buy the records. The band is responsible for whether it's a great record or a horrible record. Royalties belong to the band. I would like to be paid like a plumber. I do the job and you pay me what it's worth.
Everyone assumes we're always going to have a cocktail and a cigarette in hand. Fans expect us all to be dressed up all the time. They always say to me, 'You look so young. You don't seem as tall!'
I still love 'The Cure' more than almost any other band. But they were really, truly like the first band that I really loved and felt was mine, you know. At a pivotal time in my life when I was 13, 14 years old.
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