A Quote by Beau Bridges

Dylan, myself and my father were in a two hour movie called The Sand Kings, which started off the Outer Limits series. It was sort of the two hour pilot movie. — © Beau Bridges
Dylan, myself and my father were in a two hour movie called The Sand Kings, which started off the Outer Limits series. It was sort of the two hour pilot movie.
An eight-hour movie is definitely not a two-hour movie. An eight-hour movie is really like five independent films, if you think about it, because each is usually an hour and a half. In some ways, it is like making a movie. It's just a lot more information.
I was cast in this commercial called "Hour After Hour." It was for a deodorant that won't wear off. And [Susan Sarandon] became the Hour After Hour girl after me. But I never met her. So I didn't really know Susan till after this movie [ "The Big Wedding"].
We do want the freedom to move scenes from episode to episode to episode. And we do want the freedom to move writing from episode to episode to episode, because as it starts to come in and as you start to look at it as a five-hour movie just like you would in a two-hour movie, move a scene from the first 30 minutes to maybe 50 minutes in. In a streaming series, you would now be in a different episode. It's so complicated, and we're so still using the rules that were built for episodic television that we're really trying to figure it out.
When you think of a movie, most people imagine a two hour finished, polished product. But to get to that two hour product, it can take hundreds or thousands of people many months of full time work.
As we continue down the path of automation, virtually every city will have 24-hour convenience stores, 24-hour libraries, 24-hour banks, 24-hour churches, 24-hour schools, 24-hour movie theaters, 24-hour bars and restaurants, and even 24-hour shopping centers.
I can't see myself being a television director unless it's for a two-hour movie.
I really wish it would only take two hours to make a two-hour movie.
The show originally started out as a ten hour mini-series. We shot two hours and then were excused for a while, for no apparent reason. Things went very quiet for a time and then a few months later we were called back and told that it was going to be a full season.
I think people like to be thrilled and excited. And a scary movie is a safe way to do that because you're not actually doing it. It's entertainment. You know that you're in the confines of this two-hour space of safety in the movie house.
I think you can make a gorgeous movie on any piece of equipment. Look at 'Tangerine,' which is a beautiful movie shot on an iPhone. You see so many movies that are impeccably shot but are vapid, and there's no audience for that except for other cinematographers who just like to watch two-hour-long music videos.
My last series was on A.B.C., a one-hour called 'My Generation'. Critics liked it. I was on for two weeks, and that was a tough one.
The great thing about an anthology is that each year is its own 10-hour movie, and the only requirement is that it's the best 10-hour movie that I can make out of the story.
For a two-hour movie on a 20-day shooting schedule, it's O.K. to have an actor who's a pain in the neck.
The beauty of a really good movie is that it's a whole world, complete in an hour and a half or two hours.
I had stories that needed more space than the hour and a half or two hours a movie gives you.
As you wake up to sort of Morocco coming to life, and you drive a two hour journey through the desert as the sun is rising over the sand dunes... I saw landscapes and visual stuff that I'll never forget. It was special.
This site uses cookies to ensure you get the best experience. More info...
Got it!