A Quote by Beau Mirchoff

When I was probably 5 or 6, my mother put me into an acting, singing, and dancing class. — © Beau Mirchoff
When I was probably 5 or 6, my mother put me into an acting, singing, and dancing class.
I was always the one leading the way in terms of wanting to do acting, singing and dancing. I was lucky that my mother had a very well-adjusted perspective of the world and never pressured me to do anything I didn't want to do.
My mum enrolled me in this free dance class because I had so much energy in the night-time, and she just wanted me to go to sleep. I ended up falling in love with dancing, singing, acting, the whole entertainment world. Then, my mum ended up taking on an extra job so she could fund me to take singing lessons or go to drama classes.
When you go to a college for acting, at least the college I went to, it's like everybody just singing and dancing and acting, and they all come together, and everyone's talking about head shots... It just turned me off. I was like, 'What is this? I don't understand this. People are singing in the hallways.'
I went to a Saturday school where you would do an hour of dancing, an hour of acting, and an hour of singing. I was loud and attention-seeking enough that they put me on their agency on the side.
I'm from a working-class family. We didn't have a lot, but we had the arts. You're talking to a guy who is making a living at doing what he loves doing - acting, singing and dancing. So any career ups and downs were not that significant to me; the only things that really powerfully impinged on me were my losses, and there were many in my life.
I started dancing when I was about four, and my mother put me into dancing school, and I did every type of dance there is.
Seen from the point of view of the composer, the most nonsensical practice is that of casting people in musicals who are unable to sing. No one would cast a dancing part with someone who cannot dance sufficiently to come up to professional standards. The same is true of acting. But when it comes to singing, more often than not it is amateur night. . . . Either musicals should be written for specified performers in the first place, or they should be cast with people who are adequate to its dancing, acting and singing demands.
If you don't wake up and have your own thing, whether it's writing or reading or traveling or acting or dancing or singing or being a mother or a father, something that drives you, then it's all worth nothing. One of the key elements in happiness is purpose.
My brother became so enamored with that film [West Side Story], that he started taking tap-dancing lessons, and I followed him and started tap dancing, and my mother and father started tap dancing - I was in a class with my family, tap dancing!
I was in ballet classes, I took singing lessons, I started taking acting classes as a hobby. When I was younger, I had my mind set on dancing or singing.
When I was younger, my mother tried to get me an agent because I was always singing and dancing, but whenever she took me to an audition, I would just shut down.
My mom helped me get started when I was younger. I started with singing. An agent saw me singing on stage at the Palm Springs Festival, and recommended I get into acting, so I was like, 'Oh, okay.' I just started from there, singing and acting.
It was always acting, singing and dancing that I loved.
When I was younger, acting, singing, and dancing was what it was all about.
Because I was crazy and because my parents wanted me out of their hair, they put me in an all-day acting class... so they wouldn't have to deal with me, probably. And it just so happened there agents auditing the class, and I ended up getting signed.
I love doing 'Cope.' It allows me to do all three things I love: singing, dancing, and best of all, acting!
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