A Quote by Bebe Neuwirth
One of the things that's great about doing a show over and over again... is that you have to find ways to make it spontaneous, as though everything is happening for the first time... to continue to mine the material and find new things.
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Politics is a thing that is kind of the same over and over and over again. But we have to find new ways of poking fun at it and letting the air out of people and satirizing things that are worthy of satire.
The great thing is that young talent isn't tied to a how-to model for starting a line; we get to find new ways to go about doing things. And don't let people tell you you can't. Go find a way to show that you can.
I know that the way to be a really successful writer is to write the same kind of book over and over again. Find the kind of thing that people like and just write one of those over and over again. I don't do that. I just keep doing different things.
I don't think everything has to be new all the time. You don't have to have the latest designer all the time to look good. Just have things you're comfortable with, have key pieces that you can sort of reinvent over and over again, and always keep things that you really love for a while.
We can all pick a goal and find a reason to do it. Then some of us can actually do all the little things over and over again. That's definitely a harder step. Doing it again? That's where it gets to be a beast, when you have to repeat. It's the hardest part of it all.
I'm currently very impressed with the level of understanding and of interest in listening that I experience wherever I go. That motivates me to dig deeper into what I've been doing all of this time, to find new ways and also to get over the thought that it's not happening.
Artists rarely do the same thing over and over again. Art is about the new, doing things in a new way.
The definition of insanity is doing the same thing over and over again, right? I always figure that as you experience life and things, you usually learn and pick up on things that you can do better. That's how I look at my career over time.
There are so many great things about this country, but certain things we can't take over and over and over again.
My first show was called 'I Know I've Been Changed' in '92. I tried to do this show for years and years. It kept failing over and over and over again. Every time I went out to do the show, nobody showed up. I was like, 'What is this about?'
One of the great things about doing a play, repeating it over and over again, is that you can practice. And you can get really quite good at it for a while.
Improvisation in general is good, and improvising material into themes, turning the material into something codified and repeatable, taught me scenic structure and dramatic gambits that work and things that are appealing both as a performer and an audience member, like you know, what does "want" really mean in a scene, and how do you achieve your want, and how is that expressed, and how do you achieve closure? Those are all things that I learned performing at the cabaret after just doing the same scenes over and over and over again over the years, with my own ability to change.
Remember when we met? Before you left, you said you were going to make a fool of yourself over me. That's still what you're worried about. That you'll find yourself doing things you never dreamed of doing, things you laughed at in others, and you'll make a fool of yourself.
One of the things I'm trying to do over and over again in my books is create new mythologies, create new ways to understand the complexity of the world. I think what mythology does is impress upon chaotic experience the patterns, hierarchies and shapes which allow us to interpret the chaos and make fresh sense of it.
I do increasingly feel like becoming a better writer is about trying to find new ways to solve the same problems over and over again, and I'll maybe be a good writer after I have solved the same problem ten million times.
Well, for me, the real excitement of doing physical things in films, whether you're talking about a fight scene or a stunt sequence or even a love scene, for that matter, is by necessity it has to be choreographed very much like a dance. That being said, you have to rehearse it over and over again and find a mathematical precision.
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