A Quote by Bebe Neuwirth

Stage and film are just two wildly different animals. Why compare the two? — © Bebe Neuwirth
Stage and film are just two wildly different animals. Why compare the two?
It's cruel to compare two actors working with two different filmmakers on two different characters.
In some cases we've been building tools that are specific to Linux for the desktop, and they only work on Linux, but I see two major projects that are wildly, wildly successful: Mozilla and OpenOffice, and those two programs are cross platform.
Frankly speaking, I hate comparisons. Two individuals are doing two different films, playing two different characters: how can you compare them? It is not fair to get into ratings. It really doesn't matter what I think about other actresses; what matters is what the directors think of them when they are casting them in a project, because I think it's the director who's behind a successful piece of cinema.
I try and be just completely me on stage. I try and put that across, and people seem to get that personality that I have, so I do try not to become two different people and two different faces.
The stage is the opposite: you are talking loud so you can project to the back row and you know the whole play. In a movie, you are scene-to-scene; you only know the purpose of that scene. On the stage, that is artistic science. It is real, it is loving, it is truthfully you. It is two different formulas to make two different art pieces, but it is all about truth.
Individual human beings are so subtly developed through the centuries that it is strictly impermissible to compare any two men who are not contemporaries-that is to say are taken from two quite different times.
It took two," I said. "Two different people to make the Heartwood what it is. Two different experiences, grief and joy, combined. True love never has just one face, does it? It must always have two, or it isn't true love at all.
We just dated the same guy, and that's kind of what it is. It's always a competition thing, and they compare us, but she is Rihanna. She's a pop star, and she's beautiful - she makes great music - and I'm just me, and I'm growing and working into myself. You can't really compare us. We're two completely different girls.
Film writing and concert writing are two very different things. In film writing I am serving the film and it tells you what to write. I have to stay within the parameters of the film. In writing concert music for the stage I can write anything I want and in this day and modern age rules can be broken.
When two texts, or two assertions, perhaps two ideas, are in contradiction, be ready to reconcile them rather than cancel one by the other; regard them as two different facets, or two successive stages, of the same reality, a reality convincingly human just because it is too complex.
George: [On the 'Two Virgins' cover] 'What I thought of the sleeve then was the same as I think now: it's just two not-very-nice-looking bodies, two flabby bodies naked. It's harmless, really - different strokes for different folks.
If you compare Russia and America, they are two different worlds. People, cars, clothes. Girls' figures. Especially girls' figures. Why do you think that is, that when an American goes to Russia for a week, he stays for two extra weeks? Girls! And when a Russian goes to America for a week, he leaves in five days. I'm serious!
I grew up having two different perspectives - one in English, one in Spanish. Two different cultures, very different - but I think that, to me, it's one. I'm just as American as I feel Latin.
I would like to compare football and cinema. I think it's very similar. It's two games... different games. You have to work very hard and find the confidence to enjoy it on the pitch or in the film.
Some things you just can't question. Like you can't question why two plus two is four. So don't question it, don't try to look it up. I don't know who made it, all I know is it was put in my head that two plus two is four. So certain things happen. Why does it rain? Why am I so sexy? I don't know.
Stage is the ultimate test; I like watching established screen actors on stage to see if they can really do it. But it's great to have a healthy mixture of the two. Film is so technical: there's something very particular about the relationship between you and the camera. It took a long time for me to get good on film.
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