A Quote by Bebe Rexha
We don't walk around wearing candy stuff all day or colorful stuff. It's like, I walk around wearing black.
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I like colorful stuff. I like wearing stuff that nobody is wearing. That's why I wear the bear hat. I'll wear the whole mink.
You know what's dope about social media, the Internet, and stuff in general? It's that you never really realized before how much love you get, and now you can see people around the country wearing your stuff or wearing your face.
I have a list of stuff I need to do during the day. I try to do a couple of hours of professional stuff, be it hockey stuff I haven't gotten to the last little while, husband stuff, everything to repairing stuff around the house that I neglected around the winter.
Cole Haan is like high fashion Nike, so you feel like you're wearing Nike shoes, but you're wearing heels. Every time I'm on a red carpet, I always either wear Cole Haan or Stuart Weitzman. You end up having to walk around all night in these heels and you want to be comfortable and not look like you're in pain. It definitely shows in pictures.
Parisiennes rarely walk around wearing the giant diamonds that are de rigueur in certain New York neighborhoods.
Even when I'm just sitting at my desk, I have to get up every twenty minutes or so and walk around, walk around, walk around, and then I can go back to the page. I can't just sit there for hours at a time. Language comes out of the body as much as the mind.
Wearing baggy clothes makes me look shorter. I just don't know anything about fashion. I know what I like wearing. I'm always accused that I wear too much black. I love wearing black.
I have this complex that if I walk into a place wearing a colorful shirt someone will stop me and say, 'I'm sorry, but the Latin band comes through the other door.'
[Nazi] copied stuff from us for their "final solution" but we get to walk around like we're the good guys.
Everyone was wearing jeans, so I started wearing slacks. I'd walk on, and people would laugh before I got to the mic because I looked stupid.
I was wearing black clothes almost from the beginning. I feel comfortable in black. I felt like black looked good onstage, that it was attractive, so I started wearing it all the time.
I'm moving around; doing stuff. I can walk. I can even run.
You know, you can always pick the lit students," he continued, grinning. "Is that so? How?" "They're the ones who walk around wearing berets and that I-know-something-you-don't expression.
It was like my part-time job as a kid to be an adventurer... in my head. I used to sword-fight in the garden and in the park - with my Nan, of all people, with my Nan who can barely walk! I used to make her run around, and I'd go around destroying these trees and cones and stuff.
In New York, I'm playing in a church, solo, doing instrumental stuff. There's talk of doing more, like, installation-type things with some of the specimen horns I've played through. Just filling a room in a museum with these horn-speaker sculptures and then making loops that run all day, and you walk around the room and sort of mix the sound by where you stand. That's all way in the future, but that kind of stuff is a different way of thinking about performing.
Like students of art who walk around a great statue, seeing parts and aspects of it from each position, but never the whole, we must walk mentally around time, using a variety of approaches, a pandemonium of metaphor.
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